A Quote by Maurice Jarre

But, yes, now I wouldn't do some of those soundtracks the way I did them. — © Maurice Jarre
But, yes, now I wouldn't do some of those soundtracks the way I did them.
Did I put them in contact with the people to acquire them? Yes. Did I educate them on how to use them properly, and what way, shape, or form, and when, and with what supplements? Yes. Absolutely.
I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did in 'American Gigolo.' I could have done the music for those movies blindfolded. And one of them won an Oscar, and the other is this massive soundtrack.
I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
zoegirl: have u named the chicks? SnowAngel:yes, but i keep getting them mixed up. so now i call all of them "squishy." they're the collective squishy. zoegirl: *r* they squishy? SnowAngel: when you squeeze them,yes. but not in a yucky way. SnowAngel: they're growing on me, the little squishies. altho 1 of them pooped on my pillow. zoegirl: u let them on your bed? SnowAngel: they like it when i bounce them.
But there were years when, in search of what I thought was better, nobler things I denied these, my people, and my family. I forgot the songs they sung - and most of those songs are now dead; I erased their dialect from my tongue; I was ashamed of them and their ways of life. But now - yes, I love them; they are a part of my blood; they, with all their virtues and their faults, played a great part in forming my way of looking at life.
There are some things I cannot do as I did before the accident. Trying to do them the same way was impossible, and I was getting frustrated. Then one day I said to myself that I had to relearn those things and do them in a different way and see what was possible, and how it could be achieved.
Soundtracks are made all the time that die horrible deaths - even soundtracks for popular movies.
I love soundtracks. I used to have three iPod classics: one with regular music, one with soundtracks, and one with demos on it.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
Nicholas this is one of those 'yes' or 'no' questions again. You seem to have a problem with those. Did you or did you not kill a woman - Jo
Yes, I direct commercials as well. I get these really weird offers and then I have to bid on them and win the job. One offer that I have now, and I've already done this last year for the same company, is for Cash Value Cheese, this cheese out in the midwest. I did two spots for them last year and I'm going to probably do three this year. I also did some for the Utah Transit Authority, which was weird and interesting and they turned out really funny - they actually won an award.
Did I want Britain to remain in the E.U.? Yes. Did I fear the consequences if we quit? Yes. Did I argue passionately for that during the referendum? Absolutely I did.
"This - is now my way - where is yours"? Thus did I answer those who asked me "the way". For the way - it does not exist!
I have tried to write soundtracks, and the main problem with those was that the directors often had in their minds a much stronger sense of what they wanted to hear, than what I was willing to give them, and I guess there was no way to say, "Well why don't you write your scene around my music?" Because that's just cocky and awful.
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