A Quote by Maurice Sendak

Children surviving childhood is my obsessive theme and my life's concern. — © Maurice Sendak
Children surviving childhood is my obsessive theme and my life's concern.
Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
The 'enduring theme' [in fiction] of male competition and female competition for the hero/survivor has taken us from the fittest surviving to the brink of no one surviving. Sex roles have gone from functional to dysfunctional almost overnight. This is why the enduring theme must be questioned now.
It always helps to know that other parents with special-needs children are surviving, and surviving well.
Republican politicians regularly churn out earnest policy wonkery and programs in the hope of raising more black children out of poverty. Black uplift remains an obsessive concern of white Republican philanthropists.
Grandparenthood is one of life's rewards for surviving your own children.
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
When we raise our children, we relive our childhood. Forgotten memories, painful and pleasurable, rise to the surface.... So each of us thinks, almost daily, of how our own childhood compares with our children's, and of what our children's future will hold.
I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life.
No one, evidently, except me has found "No Alarms" poem ironical that an obsessive theme in my writing was - and has continued to be - not being able to write.
I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.
Much is made of the accelerating brutality of young people's crimes, but rarely does our concern for dangerous children translateinto concern for children in danger. We fail to make the connection between the use of force on children themselves, and violent antisocial behavior, or the connection between watching father batter mother and the child deducing a link between violence and masculinity.
Never worry about being obsessive. I like obsessive people. Obsessive people make great art
I prefer to write books for children instead of reading them. But I do strongly believe in childhood and in respecting childhood innocence. I don't like books for children that deal with adult themes.
I have always used a great variety of verse forms, especially in my poetry for children. I believe that poetry begins in childhood and that a poet who can remember his own childhood exactly can, and should, communicate to children.
I love 'Child's Play 2!' I love Don Mancini. That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant studio horror movie - but I liked the script, and I thought that was such an important theme because I don't think adults listen to children enough.
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