A Quote by Morris Bender

A skeptic is a person who, when he sees the handwriting on the wall, claims it is a forgery. — © Morris Bender
A skeptic is a person who, when he sees the handwriting on the wall, claims it is a forgery.
The handwriting on the wall may be a forgery.
If you can see the handwriting on the wall... you're on the toilet.
An enterprising person is one who comes across a pile of scrap metal and sees the making of a wonderful sculpture. An enterprising person is one who drives through an old decrepit part of town and sees a new housing development. An enterprising person is one who sees opportunity in all areas of life.
While claiming advocacy, what hoaxers really exhibit is self-interest. Often, this is because there is only the self to support their false claims; any revelations merely provide further opportunities for details and forgery.
Man is a strange animal, he doesn't like to read the handwriting on the wall until his back is up against it.
Man is a strange animal. He generally cannot read the handwriting on the wall until his back is up against it.
Actually 'bad' doesn't do justice to my handwriting. Neither does 'handwriting.' 'Desecration of paper' about covers it.
Care and Quality are internal and external aspects of the same thing. A person who sees Quality and feels it as he works is a person who cares. A person who cares about what he sees and does is a person who’s bound to have some characteristic of quality.
An optimist is a person who sees a green light everywhere, while a pessimist sees only the red stoplight... the truly wise person is colorblind.
I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
While a forgery illegally exploits the elitist taste for rarity, a kitsch object insists on its anti elitist availability. The deceptive character of kitsch does not lie in whatever it may have in common with actual forgery but in its claim to supply its consumers with essentially the same kinds and qualities of beauty as those embodied in unique or rare and inaccessible originals.
Our culture highlights all the trouble, all the drama, all the affairs and all the junk. Do not believe for a minute that any of that reflects reality. That does not have to be your future. The handwriting is not written on the wall.
Presented with the claims of nineteenth-century racist anthropology, a rational person will ask two sorts of questions: 'What is the scientific status of the claims?' 'What social or ideological needs do they serve?'
I don't think there is any religious revival. I think what we are hearing, the furor, is merely the hysterical response of the churches the handwriting on the wall that they are seeing.
The whites of the younger generation, in the colleges and universities, will see the handwriting on the wall and many of them will turn to the spiritual path of truth.
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