A Quote by Mos Def

I learned [playing Chuck Berry] that there's something to be said for the courage of conviction, that sense of belief, being bold enough to believe in your vision. And there's a quote that really fits his particular energy. It says - they say don't go where the path may lead, but go where there's no path and leave a trail. I think that's exactly what Chuck did, you know. It's an inspiration to a lot of folks, not just musicians, but people everywhere.
Self-sacrifice is the real miracle out of which all the reported miracles grow. Do not go where the path may lead, go instead where there is no path and leave a trail. Nothing great was ever achieved without enthusiasm. This time, like all times, is a very good one, if we but know what to do with it. Shallow men believe in luck. Strong men believe in cause and effect. The louder he talked of his honesty, the quicker we counted the silverware.
Don't follow the path. Go where there is no path and begin the trail. When you start a new trail equipped with courage, strength and conviction, the only thing that can stop you is you!
I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
Just deleting vandalism on the Chuck Norris page," Radar said. "For instance, while I do think that Chuck Norris specializes in the roundhouse kick, I don't think it's accurate to say, 'Chuck Norris's tears can cure cancer, but unfortunately he has never cried.
We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
Ive got a ton of stories about Chuck Knox, ... Over the course of my playing career, there was nobody that I learned to respect and appreciate more than I did Chuck Knox.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
If you're going to do Chuck Berry, you got to, you know, go all out, and the duck walk is just kind of you know, cursory. That's like standing.
I was playing with Chuck Berry, who sounded like an English teacher. Did you ever listen to his records? He pronounces every word.
There are moments in our lives when we summon the courage to make choices that go against reason, against common sense and the wise counsel of people we trust. But we lean forward nonetheless because, despite all risks and rational argument, we believe that the path we are choosing is right and best thing to do. We refuse to be bystanders, even if we do not know exactly where our actions will lead.
Man I told Dana when I first came to the UFC, I don't wanna fight none of these bums...I want the best. I wanted this man right here [points to poster of Brock Lesnar], but he was sick. I didn't know that. So I said, 'what about Chuck, Chuck, whatever his name is, Chuck Liddell?' He was sitting there all scared and nervous.
Chuck is definitely my favorite co-writer, and my best. It is really hard to make yourself vulnerable enough for somebody to get inside your head while songwriting. Chuck and I find writing together very non-competitive and just really easy.
One of my big inspirations was Chuck Berry, and his playing was always about the rhythm and the lyrics. So I've always been that way in my playing, really.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
I think every musician is different, every artist is different, and in a perfect world people would be able to pursue their own path and have the inspiration and the drive to, and the energy and dedication to take their path to its fruition. I don't really believe in formulas.
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