A Quote by Mohan Joshi
I don't break my head while working on a film or a show. The director is capable enough to bring out the best in all. So, why should I bother with anything?
Related Quotes
I like working really fast. The best ideas are the first ones that come into your head - so why bother thinking of any more?
My last film as director, the National Award winning 'Zakhm,' barely managed to break even. So why should I listen to so-called sensibilities of a handful of critics?
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes, is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
If you ever see the director pulling people aside, that means something's not working. Because you're trying to figure out why it's not working. But we would show up, we would talk about it.
Pure water is the best gifts a man can bring.
But who am I that I should have the best of anything?
Let princes revel at the pump, let peers with ponds make free,
...beer is good enough for me.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
One thing that I have learnt from many senior actors is that you can never take anything for granted. Whether one is working with the best director or a first-time director, every experience teaches you a lot.
So it comes to this; one doesn’t need rest. Why bother about sleep if one isn’t sleepy? That stands to reason, doesn’t it? Wait a minute, there’s a snag somewhere; something disagreeable. Why, now, should it be disagreeable? …Ah, I see; it’s life without a break.
Why cannot a woman be shown working out of choice, the way men do? Can't a woman work because she enjoys it and is capable of doing it? Why should they be shown leaving home for employment as a sacrifice for the family?
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
Actually that's what I was dreaming for - to have a role and to show the world what I'm capable of and that's why I was working a lot.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
I was going to hang it up on the twenty-fifth year of this show. I don't know why. Maybe twenty-five years is enough. And I found out that I was having so much fun doing the show that we decided to stick around for a while.
I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.
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