A Quote by Mu Xin

Did you ever find that there is room between the two opposing rules of a paradox? That space between two almost opposite rules is the ground where I play and write. — © Mu Xin
Did you ever find that there is room between the two opposing rules of a paradox? That space between two almost opposite rules is the ground where I play and write.
Usually naive interviewers hover between two mutually contradictory convictions: one, that a text we call creative develops almost instantaneously in the mystic heat of inspirational raptus; or the other, that the writer has followed a recipe, a kind of secret set of rules that they would like to see revealed. There is no set of rules, or, rather, there are many, varied and flexible rules.
In racing, you want to win - there are no rules, and you can do whatever you want. Flying a plane is the opposite: you respect rules and fly to the rules. You can't possibly compare the two.
Sex is two plus two making five, rather than four. Sex is the X ingredient that you can't define, and it's that X ingredient between two people that make both a man and a woman good in bed. It's all relative. There are no rules.
Also, I feel that crying is almost--like, aside from deaths of relatives or whatever-- totally avoidable if you follow two very simple rules: 1.Don't care too much. 2. Shut up. Everything unfortunate that has ever happened to me has stemmed from failure to follow one of the rules.
I don't think I've played a lot of crazy people. If ever I had a choice between two movies, I'd try to do whatever was the opposite of what I did last time.
In the track of fear we have so many conditions, expectations, and obligations that we create a lot of rules just to protect ourselves... when the truth is that there shouldn't be any rules. These rules affect the quality of the channels of communication between us.
There’s so much distance between the fundamental rules and the final phenomenon, that it’s almost unbelievable that the final variety of phenomenon can come from such a steady operation of such simple rules.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
Playing games with agreed upon rules helps children learn to live by rules, establish the delicate balance between competition andcooperation, between fair play and justice and exploitation and abuse of these for personal gain. It helps them learn to manage the warmth of winning and the hurt of losing; it helps them to believe that there will be another chance to win the next time.
In the present epoch of struggle between two worlds the two opposing and antagonistic trends penetrating the foundations of nearly all branches of biology are particularly sharply defined.
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Have a dialogue between the two opposing parts and you will find that they always start out fighting each other until we come to an appreciation of difference.
I don't think that golf has a place for two sets of rules. I think one of the reasons that the game has progressed in the way that it has over the years is the fact that the amateurs and the pros all play the same game, and they play under the same set of rules.
When you see love between two persons, something is flowing, moving, changing. When there is love between two persons they live in an aura, there is a constant sharing. Their vibrations are reaching to : each other; they are broadcasting their being to each other. There is no wall between them, they are two and yet not two - they are one also.
There are certain things that we can deal with by following the rules. But at times, we find the rules restrict you from doing the right things. On such occasions, we have to rethink - either you change the rules or break the rules.
We have our insides and our outsides, and I find the struggles between the two, as well as the occasions of harmony between the two, fascinating.
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