A Quote by Musiq Soulchild
I do not try to duplicate anyone's success; I am just really inspired by what they have done. I like the fact that The Roots can tour extensively, put out albums, and be so well received; that takes a lot of work. I really admire that, and it's something that I try to attain myself.
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If you go and watch a Coldplay show, Chris Martin used to be a little timid onstage, but now the success that the band has had really gives him a lot of confidence to really own it. Also, I really admire the way that Ben Gibbard sings live, he just stays on pitch. That is something that I try to do. I don't have the greatest voice in the world, so I just try to think real hard while I'm singing and just do a good job.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
I'm not even really attempting to brand myself outside of 'Humans of New York.' I think part of the reason for my success is that I've put my ego aside and said I'm not going to put all of my effort into trying to promote myself. I'm going to try to promote my work and am going to try to promote my project.
I really try every day. I really try to come into work thinking about what rhetoric I'm going to put out in the world and what my father would've done if he was still here.
Oh, and one more thing: If I try something that I've never done before, something that's particularly difficult for me, and it doesn't work out, that doesn't make it a failure. The fact that I actually succeeded in finishing it makes it a huge success. Think of all the people who never even try.
I think just having a gift and being able to do something creative and having people like it and enjoy it... I'm in a really, really cool place here. A lot of people try to do this and might get a little bit of success, but we've been lucky. We're going to take that and try and go as far as we can with it and just do the best that we can.
I really try to take care of myself. I really put forth the effort to make a regimen just a part of my life. When I can't, for instance if I'm in a location someplace and I can't work out because of the schedule of the picture or whatever it is, as much as I normally do when I'm home, I still do something.
I always try to put something personal on my albums just to give people out there a little piece of my history and how I got where I am and who I am.
Also, it's risky to try to duplicate earlier success. Magician had a certain charm to it, mostly due to my choice of lead characters, that I would be hard put to duplicate.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
I don't try to take a person out of our world and put them into my world; that wouldn't work. It's sort of like bad Photoshop: If you see something Photoshopped together - and even if it's done pretty well - the eye catches on it. That happens a lot when people try to cut and paste people from our world into their fourteenth-century historical romance novel.
I'm really passionate about things I enjoy, and I like to be out there doing things, and learning and challenging myself. So it's just more fun that way, just to get out and try and do and learn and meet people and try to do something new.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
The fact of the matter is: when you're doing a project, you try to make it better every moment. And a lot of people get frustrated. But I surrounded myself with a good team of people and I'm really proud of the work we've all done. All I can say is - I've learned this in my business - don't let the process frustrate you; focus on the end. Because the end is pretty wonderful. Just fight it out.
I always have done work on mythic relations since I started writing. I really want to be a novelist, or at least a writer of imaginative work... I do try to make my critical studies imaginative and try to write them in ways that are more like literature than philosophy, but I have disappointed myself because I am still so wedded to criticism.
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