A Quote by Musiq Soulchild
Even before I got the record deal, I never really used singing to get girls. I always felt weird about that.
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My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.
I've always had to deal with being biracial, even in music. When I came on the scene, I'd go to these record labels, and they'd say things like, "Lenny Kravitz. That's a weird name." I'm brown-skinned and I've got these dreadlocks and I've got this Jewish last name.
It's a sense of pride, a sense of you set out to get a record deal, and we got that. We set out to get a No. 1 record, and then we got that. Then you say, 'Wow, that was impossible and now even more impossible is to stay No. 1 and stay current and put out new records that people care about,' and we really stuck to that.
Before I won 'American Idol,' I'd never been in a professional studio at all. I'm getting more used to it. I'm really weird, though: I sing way better in a crowd of 3,000. It's easier than singing in front of 2.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
I find it sad that people think it's a political, gender-bending thing, because, really, I'm just singing about guys. There's a million guys singing about girls, and no one makes a big deal of it.
When I first got my record deal, I was like, 'I just want to sing,' and I never put much thought into what really goes into a record. But as I got older, I developed a passion for writing.
Some people choose to go on 'American Idol' or another singing contest, and some people choose to beat down barrooms before anyone even knows who they are, in order to get a fan base, so when they do get a record deal, they have that to put in front of a label.
I never really felt apprehensive because of my voice because after a while I'd gotten used to it, so I figured it would only be a matter of time before everybody else got used to it.
I always really enjoyed our early days, before we got too famous. We used to play clubs and that kind of stuff all the time. And it was fun. It was good because you get to play and get quite good at the instrument. But then we got famous, and it spoiled all that, because we'd just go round and round the world singing the same 10 dopey tunes.
When I first got the record deal, I thought it felt like I won the lottery. But I always worked hard at it.
The new artist is meeting the general public before they meet the record company. They're able to put the material on YouTube and have a million views before they even meet an executive at a record company, and get the deal based on that.
We struggled for years before we got that record deal. It was tough because we were girls. People were slamming doors in our faces for years.
When I was on 'SNL,' I was getting weirdly anxious about being on camera, which I had never really done before. And so my solution was just to not watch my stuff. And then I found out that other actors do it, too, and I felt less weird about it.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
When you're a soul singer, I'm singing a lot of songs about love and relationships that I think a lot of girls really relate to. For whatever reason, that seems to get 'em excited. The DJ, everyone always says the DJ gets all the chicks, but that's never been my experience.
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