A Quote by Murda Beatz
As a producer putting up music, I wasn't dropping a project to do this much numbers or make this amount of money, I really just dropped a project for the streets and the culture of music.
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I just initiated the project where I write music for somebody else to write the lyrics and also for the orchestra to perform. I've just initiated the project. That leads the project into creating an independent label outside of game music.
I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.
The Nile Project is the performing side of an effort that also includes education in music and environmental issues, raising awareness of the entire Nile basin as an ecosystem. With such vibrant music, the good intentions were a bonus; the Nile Project was a superb example of what I call small-world music, of what happens to traditions in the information age.
Man, my little boy wanted to hear some new music. So it was like, I can't just play all my music around him, so I got to go ahead and make a whole project so I can get it clean, and have a clean version of all the songs just so he can listen to my music, you feel me?
Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
I have a lot of alter-egos: I would love to be a back-up singer for someone someday. I have an electronic side-project. I have a '90s grunge side project; I have a piano project... I have this industrial, goth-electronic song, super creepy sounding, just really dark and dreary.
I have been skeptical, sometimes, about the importance of rap music, which I think is a capitalistic project to make money.
I would say the producer is the person who is there from the beginning to the end of the project. Either the person who creates, generates, or discovers the project, the person who performs many of the functions that are necessary to getting that project to the point where it is financed and then where it is in production, finished, marketed and released.
Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.
It struck me that it would be fun to just play stuff with Hauschka. Not even have a project in mind, but just get together and make up some music and see what came out.
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