A Quote by M. E. W. Sherwood

... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd? — © M. E. W. Sherwood
... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
By the time I discovered Chicano painters in the mid-'80s, I recognized that these guys were really world-class painters, but they weren't getting any attention, which was good in one sense in that I could get their work for cheaper!
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
I'm very happy to hear that my work inspires writers and painters. It's the most beautiful compliment, the greatest reward. Art should always be an exchange.
The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
Art critic! Is that a profession? When I think we are stupid enough, we painters, to solicit those people's compliments and to put ourselves into their hands! What shame! Should we even accept that they talk about our work?
I write about art out of gratitude to painters for the joy and spiritual uplift they have given me. Painters interpret for us the visual glories of God and, in this way, bring us closer to Him.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
But the worst feeling as a crowd work practitioner is that not only is crowd work, for me, the most fun thing to do on stage - I always say the less written jokes I tell in a set the more fun I was having--but it's also a secret weapon.
Cold exactitude is not art... The so-called consciousness of the majority of painters is only perfection applied to the art of boring. People like that, if they could, would work with the same minute attention on the back of their canvas.
For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.
Why must everything be repeat and repeat, never finish, never resting? You work so hard one day, but the next day you must only work again. You eat, but the next day, you are already hungry. You find love, then love goes away. You are born with nothing, you work hard, then you die with nothing. You are young, then you are old. No matter how hard you work, you cannot stop getting old. - Wayan
I think we should have a day off for Father's Day. Dads work very hard. And to be fair, a day off for Mums too, as they work hard. And more bank holidays. They rock.
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