A Quote by Maddie Ziegler
When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'
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I only saw fire and chandeliers and smoke. No people. Not the room. Not even a time frame. Do you know how many chandeliers there are in the south wing alone? What was I supposed to do? Tell everyone to avoid chandeliers forever?
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
Never buy anything in a room with a chandelier.
Say you write a song about a chandelier, and the chandelier gives off light. And the light is the color red and red reminds you of the color your not supposed to wear around a bull. So you name the song 'Cow.'
I did once shatter a chandelier. I was singing with my college choir in Wales. I was the soloist and I hit the high note and there was this massive bang and all this glass came down from the ceiling. I'd like that to be my party trick if I can perfect it.
I'm really all about lighting, so basically every room in my house has a chandelier, at least all the main ones.
I have so many bras. I have so many, and then they get lost, and I look for a simple nude one to wear, and I can't find one because there's, like, lace and crazy colors that I never wear.
The sense of impending disaster hung over the garden like a chandelier.
See, nobody understood how we were able to make a film like 'A Room With a View' so cheaply, for about $3.2 million, and have it look as good as it did.
In some ways, I was a little bit surprised [by how dominant we were] but then I look at the players in our changing room and it doesn't surprise me because we've got quality in there. If we click and play well like we did in the first half, we can open up any team.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
I think for much of the middle classes, nothing could be more fantastic than to have a contact with fame. But once you have that contact with fame and find out how vacuous it is, that it doesn't answer anything or supply any ultimate revelation to cosmic dilemmas and you're still left with yourself, then it's back to the drawing room with fading light and one light bulb out in the very expensive chandelier that no one has bothered to replace.
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
You got to always take advantage of getting your room cleaned. You may think it's nice not to have anybody in your room, like your privacy's not being invaded. But there's nothing like walking back into a clean room. You've got to remember that.
And doing a film in that period, and having to really celebrate what they wore back then, how they sat and how they spoke. You know, what the etiquette was back then for a lady. All of those things are like putting on a wig and transforming yourself, which I love.
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