A Quote by Maddie Marlow
We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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'Girl In A Country Song' is basically a song about what it's like to be the girl in modern day country songs and how hard it is to be this perfect Barbie doll girl that we are portrayed as.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
We've been blessed with an incredible team behind us - Scott Borchetta and everybody at Dot Records. They're not afraid of taking chances, and we aren't either, so it is the dream team we've got behind us.
It's so liberating to play a song in front of 50,000 people that you've never played before. Not something you played a long time ago and have forgotten: Never. Played. Before. There's something magical about it.
'Girl In A Country Song' was uptempo, rockin', and such a bold song.
For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
I think 'Country Girl' is one song that can veer into country or hip-hop or rap. You can listen to it and enjoy the humor and the fun in it.
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.
When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.
I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
It's so hard to be the girl in a country song, so we're speaking up.
I played a Siamese girl from Thailand. I played an Arabian girl. I did a lot of American Indians. I never, ever was able to do a part without assuming some kind of accent.
'Fly' really is the polar opposite of 'Girl in a Country Song.'
In life,there are only four kinds of girls: The girl who played with fire. The girl who opened Pandora's Box. The girl who gave Adam the apple. And the girl whose best friend stole her boyfriend.
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