A Quote by Maddie Marlow

It's nice knowing we're putting the banjo, the fiddle, the steel, and the mandolin back out front. — © Maddie Marlow
It's nice knowing we're putting the banjo, the fiddle, the steel, and the mandolin back out front.
I also play fiddle, banjo and mandolin.
My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
It's horrible for someone to listen to someone learning any instrument - when I was first learning the banjo, I used to have to go out and sit in the car, and even in the summertime I'd have to roll up the windows. Because you just couldn't practice a banjo or a fiddle with other people around. Unless they're being paid.
I had a ukulele when I was about seven. Then I started playing around with the mandolin and the banjo.
China is illegally dumping steel in the United States and Donald Trump is buying it to build his buildings, putting steelworkers and American steel plants out of business. That's something that I fought against as a senator and that I would have a trade prosecutor to make sure that we don't get taken advantage of by China on steel or anything else.
My dad also plays a little banjo and guitar, my mom plays the mandolin.
I was always playing the Hammond Organ back to front even during the days of the Nice, going back to 1968. Really what I was doing there, was choosing notes at random and trying to make some sense of them, improvising back to front.
I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.
I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.
Going back to the Byrds and 'Sweetheart of the Rodeo,' when country was kind of getting away from the fiddle and steel aspect, it took some rock & rollers to introduce a new generation to it, and it kinda put some things straight.
The banjo is such a happy instrument--you can't play a sad song on the banjo - it always comes out so cheerful.
'Swagger' would be the word for 'Dirt On My Boots.' With the real funky drum loop and the ganjo rolling down, and then the fiddles and the guitar and steel, it really took an old school style where it's fiddle, steel, guitar, and mixed it with a drum loop.
There are some people who do great stuff singing and playing fiddle at the same time and doing that kind of arrangement. But I think [I don't do that] partially because I'm still a loner on the guitar and banjo.
I use both instruments with their strengths in mind. Mandolin - no sustain and attack of the right hand, for rhythm. Fiddle - use sustain of the bow and the ability to slide the non-fretted notes, like singing.
I was a diver. Looking back, I realize that putting yourself out there, literally, on the edge of the platform is very similar to doing live TV. It's taking the plunge and knowing, with lots of practice, it'll work out fine.
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