A Quote by Madison Keys
Sometimes it takes work to find a great group of friends whom you feel super comfortable and confident with.
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I don't have actors as friends. There's no actor who's my 3 A.M. friend. There are a couple of musicians whom I can call friends, and I have a close knit group of friends whom I feel comfortable with.
The best photographers are super nice people and that its not a coincidence. Great photographers genuinely like people, and people can feel that. That's what makes people feel comfortable. It is important to appear confident with clients, but it is more important to not be afraid to act like a fool, have fun, laugh and shake your hips to get people comfortable.
You need to feel comfortable. When you're comfortable, you feel confident. And when you're confident, the world is your oyster. Most important, you gotta feel what you wear.
You cannot be afraid to present yourself. And sometimes that takes practice. If you're not comfortable with public speaking - and nobody starts out comfortable, you have to learn how to be comfortable - practice. I cannot overstate the importance of practicing. Get some close friends or family members to help evaluate you, or somebody at work that you trust.
I moved to L.A., and people said that I would never find work, that I would never find good friends, and I feel like I was fortunate enough to find the work, but it wouldn't mean anything unless I had a group of people who could appreciate it.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
Sometimes, you turn back. Sometimes, you walk away. And sometimes, you find the place you're meant to be, and you stay there. You find a way to make it work. Whatever it takes.
I feel more confident in being able to be funny if I'm comfortable with the people I'm around. When you're friends with them, it just makes it all the better. Plus, shooting a movie, you're sitting on your ass for hours at a time, so if you have somebody there to mess around with and have fun, then it's great.
For me, it's different every year. Some years, it takes me a while to feel comfortable again, to feel like I'm ready to go. Other years, it clicks real fast. Sometimes, it just takes one game or one swing to feel like, 'OK, I'm back.'
Don't let anyone make you feel inferior, because you are great. Be comfortable and confident in you skin.
I feel most bossy in jeans, a white t-shirt, a leather jacket and some heels. I just feel bossy that way. I also feel confident in a sick dress at a premiere. Like most women, as long as I'm comfortable in it, I feel confident.
I feel the most beautiful when I'm the most relaxed - for example, after a productive day of work or during a comfortable, rested afternoon. But I also feel great when I reunite with friends after a long time.
If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge.
Some of the traits that make you a great entrepreneur also work against you. Examining data of high-scoring people, we find that oftentimes the world frustrates them: They're super-smart, they're super-capable, and the work quality of their peers is vastly inferior to what they can achieve on their own.
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
The generality of men are so bound within the sphere of their circumstances that they have not even the courage to get out of them through their ideas, and if we see a few whom, in a way, speculation over great things makes incapable of mean ones, we find still more with whom the practice of small things takes away the feeling for great ones.
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