A Quote by Mary Gordon

If the moral good of fiction stems mainly from a habit of mind it inculcates in the reader, styles are neither good nor bad, and to describe some fictional enterprises as false is pointless.
Death and life, success and failure, pain and pleasure, wealth and poverty, all these happen to good and bad alike, and they are neither noble nor shameful - and hence neither good nor bad.
Until you have learned to be tolerant with those who do not always agree with you; until you have cultivated the habit of saying some kind word of those whom you do not admire; until you have formed the habit of looking for the good instead of the bad there is in others, you will be neither successful nor happy.
Until you have formed the habit of looking for the good instead of the bad there is in others, you will be neither successful nor happy.
From the moral as from the intellectual point of view, the child is born neither good nor bad but master of his destiny.
The adult May fly lives only a few hours, just long enough to mate. He has neither mouth nor stomach, but needs neither since he does not live long enough to need to eat. The eggs the May fly leaves hatch after the parent has died. What is it all about. What's the point? There is no point. That's just the way it is. It is neither good nor bad. Life is mainly simply inevitable. (41)
One and the same thing can at the same time be good, bad, and indifferent, e.g., music is good to the melancholy, bad to those who mourn, and neither good nor bad to the deaf.
Honesty is the best policy, I will stick to that. The good shall have my hand and heart, but the bad neither foot nor fellowship. And in my mind, the main point of governing, is to make a good beginning.
Intelligence, like fire, is a power that is neither good nor bad in itself but rather takes its virtue, its moral coloring, from its application.
I remember thinking, without pride of self-pity, that I was not rich or poor, that I wasn't good or bad. But that was difficult: to be neither good nor bad. It seemed to me, in the end, the same as being bad.
The terms good and bad indicate no positive quality in things regarded in themselves, but are merely modes of thinking or notions, which we form from the comparison of things one with another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance, music is good for him that is melancholy, bad for him that mourns; for him that is deaf; it is neither good nor bad.
A good Soul hath neither too great joy, nor too great sorrow: for it rejoiceth in goodness; and it sorroweth in wickedness. By the means whereof, when it beholdeth all things, and seeth the good and bad so mingled together, it can neither rejoice greatly; nor be grieved with over much sorrow.
Technology itself is neither good nor bad. People are good or bad.
Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.
Without a sense of proportion there can be neither good taste nor genuine intelligence, nor perhaps moral integrity.
Good taste" is a virtue of the keepers of museums. If you scorn bad taste, you will have neither painting nor dancing, neither palaces nor gardens.
I could not become anything; neither good nor bad; neither a scoundrel nor an honest man; neither a hero nor an insect. And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolation that an intelligent man cannot seriously become anything, that only a fool can become something.
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