A Quote by Mary Kay Andrews

I wanted a garret hideaway to write in like Jo March in 'Little Women.' — © Mary Kay Andrews
I wanted a garret hideaway to write in like Jo March in 'Little Women.'
I wanted to be like Jo March in 'Little Women.' I wanted to be married to a man who would give me lots of sons.
When I was young, I really identified with Little Women by Louisa May Alcott, particularly the character of Jo. The book was written at a time when there weren't as many options for women and girls as there are now. Jo really struggled with that. She wanted to write, to work, to help her family.
My first and most loved real novel was 'Little Women.' I identified with the Jo character even though we were opposites. Jo was very strong-minded and brave, and I was shy and kind of a wuss, everyplace but in my own home. I wanted to be Jo. She was my alter ego. I think reading that book gave me courage.
Then I read Little Women, and of course, like a lot of really young girls, I was very taken with Jo - Jo being the writer and the misfit.
I always wanted to be Jo in 'Little Women.' She's a bit reckless and feckless, always getting into trouble like me. But I'm probably more like Madame Bovary.
My favorite literary heroine is Jo March. It is hard to overstate what she meant to a small, plain girl called Jo, who had a hot temper and a burning ambition to be a writer.
As one of the national organizers of the Women's March back in 2017, immediately after the Women's March, over 20,000 women across the country had registered to run for office - the largest numbers we've seen in probably our entire American history for women to run in this way.
If you have a march that's entirely white women or a march that maybe is entirely black women, it's going inspire those who look like them, which is fine. Our idea is that we want to inspire as diverse of a group of people as possible.
The moment Aunt March took her nap, or was busy with company, Jo hurried to this quiet place, and curling herself up in the easy chair, devoured poetry, romance, history, travels, and pictures like a regular bookworm.
When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.
When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.
I keep turning over new leaves, and spoiling them, as I used to spoil my copybooks; and I make so many beginnings there never will be an end. (Jo March)
Marmee: Oh, Jo. Jo, you have so many extraordinary gifts; how can you expect to lead an ordinary life? You’re ready to go out and – and find a good use for your talent. Tho’ I don’t know what I shall do without my Jo. Go, and embrace your liberty. And see what wonderful things come of it.
As a little kid, not only is my dad Jo-Jo White, but M. L. Carr is involved in the family, Red Auerbach is my godfather, and my stepmother was an Olympic-caliber sprinter. Athletes were all around. I happened to be a natural athlete. If I wasn't, it might have been hell. But I never got any pressure from my mom and dad to be an athlete.
I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.
How did I change my life? I wanted things. I wanted women and I wanted to write books.
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