A Quote by Mary Catherine Bateson

...a disgruntled reflection on my own life as a sort of desperate improvisation in which I was constantly trying to make something coherent from conflicting elements to fit rapidly changing settings.
We’re constantly changing facts, rewriting history to make things easier, to make them fit in with our preferred version of events. We do it automatically. We invent memories. Without thinking. If we tell ourselves something happened often enough we start to believe it, and then we can actually remember it.
A book is a human fact; a great book like Seraphita gathers together numerous psychological elements. These elements become coherent through a sort of psychological beauty. It does the reader a service.
All actors have to make the words fit in their mouths, and make the words the words fit to how you say it and how you make it life-like and make it look like what you're saying is just conversation that you're just thinking off the top of your head. That process is not quite improvisation.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
It is easy to be disgruntled if you are denied rights and freedoms to which you feel entitled. But if you are not coherent, if you cannot put into words what it is that displeases you and why it is unfair and should change, then you are dismissed as an unreasonable whiner. You may be lectured about perseverance and patience, life as a test, the need to accept the higher wisdom of others.
I believe that you become yourself every single day of your life through your choices and how you think. And that's constantly changing every day... You are constantly changing, evolving through your experiences, how you interpret your experiences, and how you choose to do things in the future based on those experiences... Being yourself means you think with your own mind, and you make your own choices and that makes you you.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
The structure of the company is constantly changing. The composition of the necessary working groups is constantly changing. We have many divisions that are based on the project principle, which means that they are put together for each project.
I'm very into the military and police stuff. Gear and technical gear is something that's changing every day and every day you're trying to be on the cutting edge and improve your stuff more and more because your life depends on it. And so, the guns and the gears are changing constantly.
I'm sort of a traditionalist usually. I love old soul music and The Beatles; I realized I was sort of trying to make music sometimes that fit into an era that's gone.
Something we often struggle with on pictures is the right way to shoot live-action elements that are for an environment that's very complicated from a lighting standpoint. An example is a starship flying through an environment that's constantly changing.
The nation is trying to catch up with a rapidly changing world.
If you think about even very common examples like, say, something that you would build, like a clock or a car or a group of people trying to accomplish something, it fails when its unity breaks down. So when it stops having a single form, which is functioning all together, then it sort of falls apart into discrete elements.
When I made Illmatic, I was trying to make the perfect album. It comes from the days of Wild Style. I was trying to make you experience my life. I wanted you to look at hip-hop differently. I wanted you to feel that hip-hop was changing and becoming something more real.
It's amazing, it's pumping, it's furious, it's anxious, it's happy and it's far more real than anything you'll ever experience in a Western city. Morocco is a living, pulsating entity which is rapidly changing all the time but there are parts of Marrakesh that carry on as they have done for a thousands years. The music is a reflection of that, of all times and all religions and of all the natural expectations and conditions of the people who live there.
Like an animal caught in a trap, trying to gnaw off its own leg, a woman who seeks abortion is trying to escape a desperate situation by an act of violence and self-loss. Abortion is not a sign that women are free, but a sign that they are desperate.
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