A Quote by Mary Oliver
I'm going to die one day. I know it's coming for me, too. I'll be a mountain, I'll be a stone on the beach. I'll be nourishment.
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I wonder if it's like this for mountain climbers, he thought. You climb bigger and bigger mountains and you know that one day one of them is going to be just that bit too steep. But you go on doing it, because it’s so-o good when you breathe the air up there. And you know you'll die falling.
I'm near the beach, and I'm definitely a beach bum. For me, going to training and then going to the beach is kind of an escape for me to get away from everything and relax. It's really done wonders for me.
We are not going to die." Butters stared up at me, pale, his eyes terrified. "We're not?" No. And do you know why?" He shook his head. "Because Thomas is too pretty to die. And because I'm too stubborn to die." I hauled on the shirt even harder. "And most of all because tomorrow is Oktoberfest, Butters, and polka will never die.
Writing the first draft is like hitting the beach on D Day. You don't stop to mourn the dead or comfort the wounded. You get off the beach because, if you don't, you'll die there.
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die — with my hand in the hand of some nice-looking ship's doctor, a very young one with a small blond moustache and a big silver watch.
Resolve says, 'I will.' The man says, 'I will climb this mountain. They told me it is too high, too far, too steep, too rocky, and too difficult. But it's my mountain. I will climb it. You will soon see me waving from the top or dead on the side from trying.'
Lead me, Lord, to the Rock that is higher than I. Let me hear your word, give me grace to obey, to build steadily, stone upon stone, day by day, to do what You say. Establish my heart where floods have no power to overwhelm, for Christ's sake. Amen.
There's that wonderful line in Measure for Measure. I forget which of the characters has committed adultery and is going to die. He looks at his hand and says, "How could this die?" That's the joke. I've always thought, and this is nothing new, that we don't really believe we die. I think you're going to die, because I know that's what happens but I can't imagine I'm going to die.
Is a mountain only a huge stone? Is a planet an enormous mountain?
Whatever news we get about the scans, I’m not going to die when we hear it. I won’t die the next day, or the day after that, or the day after that. So today, right now, well this is a wonderful day. And I want you to know how much I’m enjoying it.” I thought about that, and about Jai’s smile. I knew then. That’s the way the rest of my life would need to be lived.
One day when I was working on a movie, I stayed at the beach a little too long, and they said, “You are going to ruin a whole day of shooting because you’re so dark. Two days ago you weren’t like this!” So I started putting that in the character; I made him suntanned all the time.
We'll all go out together when we go. Yes, we'll all go out together when we go. Oh, how the world will die From great fire in the sky. Yes, we'll all go out together when we go." (Total) Call me old fashioned but I'll take 'She'll Be Coming 'Round the Mountain' any day.
There is life in a stone. Any stone that sits in a field or lies on a beach takes on the memory of that place. You can feel that stones have witnessed so many things.
To a materialist, matter is essential: a stone is a stone, a mountain is a mountain, water is water and earth is earth. As far as I am concerned, I am a materialist of the body, which means that the body is the basis of all my work.
The number one metaphor I have in my mind for writing a screenplay is that...you're trying to climb a mountain blindfolded. And the funny thing about that is, you think, 'Okay, that's hard because you're climbing up a rock face, and you don't know where you're going, and you don't know where the top is, you can't see what's below you...' But actually the hardest part about climbing a mountain blindfolded is just finding the mountain.
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
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