A Quote by Mary Pickford

Make them laugh, make them cry, and hack to laughter. What do people go to the theatre for? An emotional exercise. I am a servant of the people. I have never forgotten that.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
On stage, it is a tremendous thing to be able to make people laugh. But one of the things that I have always loved is when I am in shows where you can turn the audience upside down and make them cry or move them. That is when things are the most rewarding.
It's quite easy to make a load of people laugh, it's often a reflex action, but I think to make them cry is harder without manipulating them.
My way is the sensitive, emotional way, because that's who I am. A day doesn't go by where I don't sit and cry, listening to the stories. I try to be the clown and court jester and make people laugh.
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
The most difficult thing is to make people laugh. It is easy to make them cry.
I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.
It's always fun to make people laugh, and then make them afraid or cry at the same time.
People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that.
We don't want to name our songs after the choruses, so we sometimes come up with random titles. We don't care if people don't know the names of the songs, we want them to play it and never get sick of it. We want it to be exciting, melodic, heavy and emotional. It can make you cry and laugh and be angry.
It's such a great feeling to make people laugh. I know I've made people cry or want to slit their wrists, but to make people laugh is a very intoxicating, wonderful thing.
I'm inspired by making people laugh at subjects that should make them cry.
We, as film-makers, are privileged. We can make people cry or laugh. We can make them think and feel. It is a great privilege and a great responsibility.
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