A Quote by Mary Tyler Moore

I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
In life you get one take, and it's perfect. It's strange, afterwards you might think I shouldn't have reacted that way, but that's the way you reacted. That's your take; that's all you get.
At a certain point, Mike Tyson and I reacted to violence a little differently. I was afraid to leave my house for three years while he became the heavyweight champion of the world. The thing was, at first, we reacted to it the same way, and our cowardice and trauma defined us.
Women are sexy when they dance- incredibly sexy- but that wasn't what i reacted to, or how i reacted.
I saw the police thriller The Blue Lamp' and remember realizing the power that Dirk Bogarde as the gangster exerted over the audience simply by his expressions in the close-ups. I could see how the people around me reacted to him and realized that I wanted to have the same effect.
The audience has reacted well to my comic timing. But, I also have other aspects to my acting talent.
My dream was always to have an experience where an audience member would turn to another audience member, a stranger, and be like, 'What did we just go through?' And, like, kind of begin to talk.
I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.
I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.
We told them this morning and I think they (reacted) like you would expect. It was a surprise and the reality of this is very sobering for everybody. I don't take this lightly at all not at all.
It is very difficult for anyone to predict how a film will do. It depends on so many things: the mood of the audience, the state of their mind at the time, how they have reacted to the whole treatment.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
In 'Demon's Souls,' we tried to implement some features in a kind of experimental way, not being sure whether or not it would be popular, but we did it anyway so that we could see how people reacted.
My audience expects cold, hard truth. They don't expect me to dance around it. They expect me to say it the way they think it. That's part of my brand. If I don't do that, then my audience goes, 'What's up? Is he sick or something? What's wrong with him?' The entity has a brand.
My role as Chitra is synonymous to my character in real life. If Chitra is crying or shouting or reacting in a certain way then Sudha would have reacted in the same manner.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
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