A Quote by Mary Wollstonecraft Shelley
The air of fashion, which many young people are so eager to attain, always strikes me like the studied attitudes of some modern prints, copied with tasteless servility after the antigue; the soul is left out, and none of the parts are tied together by what may properly be termed character.
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One characteristic of modern poetry is that arrangement of parts which strikes many people as being violent or obscure.
To the possible enquiry as to the probable character of a successful flying machine, the writer would answer that in his judgment two types of such machines may eventually be evolved: one, which may be termed the soaring type, and which will carry but a single operator, and another, likely to be developed somewhat later, which may be termed the journeying type, to carry several passengers, and to be provided with a motor.
An air of fashion, which is but a badge of slavery ... proves that the soul has not a strong individual character.
Between food and fashion, there's always a direct correlations - designers have forever done prints with food on them. Vegetables, fruit, apples. There are some beautiful prints that have been made with fruit over time. I think food and restaurants have become more and more fashionable over time. That's become more of a fashion thing than fashion becoming a food thing. I don't think fashion has gotten so food oriented in the reverse aspect, but I think the whole food industry has gotten very design oriented. I think it's a nice way of putting things together.
I believe that parts of people like John Garfield and Moms Mabley, the parts of them that I needed to be able to do what I'm doing, came into me. There's a very nice feeling that there are many, many spirits inside of me looking after me . . .
Maybe Japan itself is a little similar in that a lot of young people seem to have a little knowledge but not too much depth. I guess my perception of the art specialists in America or in Europe is that the art people are kind of mainly just the art people and that community is self-contained. But in Japan, it mixes with fashion and other things. I'm sure that many authentic art dealers or insiders didn't like the way that we presented our show in this very pop-y, accessible manner - just showing parts of our collections and selling prints and collaborative products.
People who oppose violence often defend strikes, forgetting that strikes are historically every bit as violent as riots. They recast history so that strikes were always this ascetic refusal rather than open warfare with private or national military forces, where many, many people died so as to have some possibility of a decent work life, affordable housing, protections - the most practical goals we can imagine.
Brother woke just after midnight and he didn't make a sound, and as he climbed from out of bed with severed rings around his head, his feet didn't touch the ground. I could feel it then-a tiny miracle-so I followed him into the woods, crossed beneath the trees but only I left my prints in tow, he was afloat. He found a lonely tree and tied himself within its limbs, and he said to me these words: 'Don't you fear for me, I am where I'm supposed to be.'
I have no little insight into the feelings of furniture, and treat books and prints with a reasonable consideration. How some people use their pictures, for instance, is a mystery to me; very revolting all the same--portraits obliged to face each other for ever--prints put together in portfolios.
I studied about the internment of Japanese Americans during the Second World War and about how the Constitution was written by men, many of whom were slave owners. So I suppose the travel ban strikes me as coming from an era I thought we'd left behind, but I guess we haven't entirely left it behind.
I liked experimenting with a lot of different styles. So, it always saddens me when I see young people, or even older people for that matter, who are limited to one specific type of music. They don't really allow themselves to experience so many types of music out there that are so wonderful to listen to. And there's good parts and bad parts, I guess, to all of them.
Fashion was always with me since I was young. I would always be like, 'What do I want to be when I grow up?' And it hit me when I was young - I wanted to be a fashion designer.
Saddam Hussein admired, studied, and copied Stalin, the paragon of modern dictators.
It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.
It's difficult for a young girl like me. Because there's a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there's always work for men whatever age they are.
The process of shaping opinion, attitudes, and perceptions was termed the 'engineering of consent' by one of the founders of the modern public relations industry, Edward Bernays.
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