It is a pleasure to stand upon the shore, and to see ships tost upon the sea: a pleasure to stand in the window of a castle, and to see a battle and the adventures thereof below: but no pleasure is comparable to standing upon the vantage ground of truth . . . and to see the errors, and wanderings, and mists, and tempests, in the vale below.
There's not a plant or flower below but makes Thy glories known, And clouds arise, and tempests blow by order from Thy throne; While all that borrows life from Thee is ever in Thy care; And everywhere that we can be, Thou, God art present there.
Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves. Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. (The North)
When winds are raging o'er the upper ocean And billows wild contend with angry roar, 'Tis said, far down beneath the wild commotion That peaceful stillness reigneth evermore. Far, far beneath, the noise of tempests dieth And silver waves chime ever peacefully, And no rude storm, how fierce soe'er it flyeth Disturbs the Sabbath of that deeper sea.
We have good examples of successful adaptation to rising sea levels. The Netherlands became a wealthy nation despite having one-third of its landmass below sea level, including areas a full 7m below sea level, as a result of the gradual sinking of its landscapes.
We are accustomed in England to chalk in rolling downs, except where bitten into by the sea, but elsewhere it is riven and presents cliffs, and these cliffs are not at all like that of Shakespeare at Dover but overhang, where hard beds alternate with others that are friable.
The splendour falls on castle walls And snowy summits old in story: The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying.
The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me
And I cannot, cannot go.
The giant trees are bending
Their bare boughs weighed with snow;
The storm is fast descending,
And yet I cannot go.
Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing drear can move me;
I will not, cannot go.
Nobody follows me where I go, Over the mountains or valleys below; Nobody sees where the wild winds blow, Only the Father in Heaven can know.
There is language going on out there- the language of the wild. Roars, snorts, trumpets, squeals, whoops, and chirps all have meaning derived over eons of expression... We have yet to become fluent in the language -and music- of the wild.
Every fairy child may keep Two strong ponies and ten sheep; All have houses, each his own, Built of brick or granite stone; They live on cherries, they run wild I'd love to be a Fairy's child.
The night is darkening round me, The wild winds coldly blow; But a tyrant spell has bound me, And I cannot, cannot go.
When I paint, the Sea Roars Others Splash about in the bath
You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.
On the cliffs of your wild cat charms I'm riding.
The wild swan hurries hight and noises loud
With white neck peering to the evening clowd.
The weary rooks to distant woods are gone.
With lengths of tail the magpie winnows on
To neighbouring tree, and leaves the distant crow
While small birds nestle in the edge below.