A Quote by Mary Chapin Carpenter

In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone". — © Mary Chapin Carpenter
In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone".
We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
I only went to one Star Trek convention and that was in the late '80s. I hadn't gone to a convention before that. It was quite amusing, with the people dressed up and all of that.
I created MMG years ago. My desire was to create a space where the most talented artists in the world could be nurtured and supported. With that came a commitment. I vowed to support these artists through the good and the bad.
There's a lot of one-hit wonders and a lot of come-and-go artists and even the labels give up on you after a couple years.
I've been collecting synths since the late '80s. They weren't very fashionable then, so you could pick up pretty cool stuff for a few hundred quid.
My dad was a real working musician in the late '70s and early '80s. He had a band that was signed to Elektra/Asylum and they would perform at like Madame Wong's and Whiskey A Go Go all the time.
I like being signed because you have the support system. It's all about the growth and labels give you that support you need.
Record labels today are much less patient: Artists have a bad record, and they're gone.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
By the late '80s, I was already giving up on rap music.
When I came to Philadelphia in the late '80s, it was going through a very difficult time.
The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.
A lot of people measure a man by what he's got. I've decided to measure myself by what I can give up.
Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
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