A Quote by Mary Ellen Mark

I'm a documentary photographer. That's what I've always wanted to be; that's where my heart and soul is. — © Mary Ellen Mark
I'm a documentary photographer. That's what I've always wanted to be; that's where my heart and soul is.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
Ditty of First Desire In the green morning I wanted to be a heart. A heart. And in the ripe evening I wanted to be a nightingale. A nightingale. (Soul, turn orange-colored. Soul, turn the color of love.) In the vivid morning I wanted to be myself. A heart. And at the evening's end I wanted to be my voice. A nightingale. Soul, turn orange-colored. Soul, turn the color of love.
I came up, I suppose, a fairly traditional way. I went to art college. I always wanted to be a stills photographer, really, when I was younger, and I briefly worked as a stills photographer.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
In my heart and soul, I always knew that I wanted to be in show business.
I'm kind of a twisted social documentary photographer.
Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
Love is always master everywhere. It shapes the soul, the heart, and the mind wherever it exists. What matters is not the amount of love, but simply its existence in the mind and heart where it resides. And it truly appears that love is to the soul of the lover as the soul itself is to the body which it animates.
I always feel I had a very lucky life. For example, I sure didn't want to go in the army: when I was drafted in the Korean War, I wanted to go as a photographer. But luckily, they put me in the infantry - luckily because the official photographer was photographing the medal awarding and all the official situations.
I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
The reason I call myself a documentary photographer is the idea of how photographs contain and participate in history.
But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.
In a way my work is documentary. But I am also a photographer who has a distinct style. My photographs are a companion to the reality of the situation.
I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.
With any rock documentary or band documentary you always recognize things that you've experienced some version of.
I didn't want to be a woman photographer. That would limit me. I wanted to be a photographer who was a woman, with all the world open to my camera.
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