A Quote by Marilyn Manson
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
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After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
Red lipstick has always been a classic. You have seen the red lip on people from Marilyn Monroe to Marilyn Manson. The right shade of red can turn a boring look into a bold, eye-catching statement.
It's a problem that Congress has really taken on in the last couple of years. We tripled the money that was being - to be spent on opioids. Legislation sort of followed that. Then we doubled that tripling. I think, at some point, there's a limit to how many times we can multiply that in a short period of time, but this is a real problem. In Missouri, more people die from drug overdoses than car accidents.
The road, more than simply a system of regulations and designs, is a place where many millions of us, with only loose parameters for how to behave, are thrown together daily in a kind of massive petri dish in which all kinds of uncharted, little-understood dynamics are at work. There is no other place where so many people from different walks of life-different ages, races, classes, religions, genders, political preferences, lifestyle choices, levels of psychological stability-mingle so freely.
In a free country, America, or India, and Japan, and many places, democracy country, free country, but still within the sort of rule of law, some injustice, some sort of problems, some discrimination, and also some sort of scandals or the corruptions. These things, you see, they are always in my mind, I think many people agree, lack of moral principle.
When I was stalking my special lady friend on MySpace, people would always say, 'Is this really Marilyn Manson or some kind of psycho?' And I'm like, 'Both.'
When I was stalking my special lady friend on MySpace, people would always say, 'Is this really Marilyn Manson or some kind of psycho?' And I'm like, 'Both'
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
How can Hitler, or some other murderer, appear in this world? I don't think any single theory can account for the phenomenon, and I think it's a mistake to try to reduce it to being brutalized by your parents or having grown up in some horrible situation - like Charles Manson.
I didn't really know about Marilyn Manson - it's not my sort of music, not exactly the sort of thing I would curl up and listen to!
It's not like I turn off Marilyn Manson and I'm an everyday guy who goes and has another job and doesn't think about any of this stuff. Marilyn Manson is the most real thing that can come from me.
We want to challenge Marilyn Manson and the rap people with the bad lyrics to write some positive songs.
I've got many, many demons that affect me on many, many levels. A few years ago, I was convinced of that - I thought I truly was possessed by the devil. I remember sitting through the Exorcist a dozen times, saying to myself, 'Yeah, I can relate to that. I really wish I knew why I've done some of the things I've done over the years. I don't know if I'm a medium for some outside source. Whatever it is, frankly, I hope it's not what I think it is - Satan.”
I'm a real big Marilyn Manson fan. I get a lot of my styles from him. Not even musically - living-wise, too. Marilyn Manson definitely shows me you shouldn't care what nobody say. I watched a bunch of his interviews, and he's not just an artist; he's one of the most intelligent people I ever saw in my life.
So many people that we met had some sort of connection to the [Olympics] games. Some story about how they volunteered there, or some sort of memory of it. It still is in the cultural memory and identity of these cities as much as it is in the physical and architectural memory. It's where these two things overlap, I think, that we're trying to explore with the photos.
I'm very sensitive about being held up as some sort of example. I don't consider myself any sort of role model at all. I have great advantages over many other working women, and my schedule allows me more time with my kids than many working women have.
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