A Quote by Matt Bomer

Our high school offered a comprehensive drama department where I was doing 'Angels in America' at 14. — © Matt Bomer
Our high school offered a comprehensive drama department where I was doing 'Angels in America' at 14.
I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.
I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
I started dancing when I was about 15 or 16 in my high school drama club, and then I liked it so much that they offered dual enrollment classes. So my senior year, I ended up taking college dance courses while I was in high school because I had good grades.
I actually studied in college, for the three semesters that I stayed in school, I don't recommend that, but I studied theater, and in high school I was involved in the drama department.
My school didn't have a drama department. I was one of the lucky four children who got to travel twice a week to another school because our school could only afford one taxi.
I couldn't make it on the swimming team in high school. In fact, I got thrown off the swimming team and was forced to audition for the school play because they had at the audition about 35 girls show up and no boys, so my swimming coach suggested that I might be able to do the drama department more good than I was doing the swimming team.
I found acting when I was 14, when I got cast in the chorus in a high school play, 'The Boyfriend.' In my high school, we did mainly musicals, so I just started doing nothing but musicals for years and loved it.
When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I definitely was inspired by drama teachers in high school named Mr. Walsh and Ms. O'Neil, and both of them were very formative in helping me sort of understand theater. But I think my biggest inspiration is that I was a high school drama teacher in real life for four years in the Bronx.
I've always loved movies but everyone loves movies, so I never conceived of the fact that I could actually be in them. In high school I had some friends in the drama department, but they were just doing plays, and I was like, "Eh, I don't really think that that's me." So I just played sports. Then, a bunch of years later, I'm acting.
The discovery I made was that, really, in America, if you went to high school in our country, it doesn't really matter where you went to high school. In a funny way, all high schools are the same.
America has a terrible educational problem in the sense that we have too many youngsters not finishing school. A third of our kids don't finish high school, 50 percent of minorities don't finish high school.
When I left school I went to Australia for a year and worked in the drama department of a school in Perth.
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