A Quote by Matt Letscher
It's hard to fit everything in and still have episodic television.
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One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week.
I'm a sports fanatic. It's hard for me to commit to the weekly, episodic nature of television, so for me, anytime that I can put a game on, that's what I do.
Hopefully I'll fit the television in there. Maybe it'll be like music and television and movies. I mean, who knows? But hopefully I can be successful at everything I do.
You know, I'm almost out of the habit of watching episodic television now.
One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week. So the events that occur are rarely life-changing. But with film, you can say that this thing only happened once; this is a major thing that happened to these people.
It's hard to make a book episodic.
It was acting, and WWE is the longest-running weekly episodic program in television. Sure, there are story lines that are better than others.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to recreate that.
I've done episodic television and some other things that have been written by other people.
I did a good bit of episodic television directing, but directing a movie is so much more complicated.
It might sound odd, but filming a soap is closer to acting in a play than filming episodic television.
I would love to be able to direct episodic television, because it's a great way to make a living, and it's something where I think I could utilize my talents as well as my ability to work fast.
Though the theories of plate tectonics now provide us with a modus operandi, they still seem to me to be a periodic phenomenon. Nothing is world-wide, but everything is episodic. In other words, the history of anyone part of the earth, like the life of a soldier, consists of long periods of boredom and short periods of terror.
I want to do more independent film. I'm blessed to be working on really quality episodic television, which to me actually feels like a sort of 13-hour film.
The body moves through space every day, and in architecture in cities that can be orchestrated. Not in a dictatorial fashion, but in a way of creating options, open-ended sort of personal itineraries within a building. And I see that as akin to cinematography or choreography, where episodic movement, episodic moments, occur in dance and film.
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