A Quote by Matt Smith

No one can improve on nature's landscapes. I feel I've hit the mark when I've captured a balance between mood, look, and feel... when viewers say they sense the desert heat, or the chill of a mountain snowfall.
The difference between the real winners is how long they take to feel sorry for themselves. My winners feel it... but they come back up and say 'hit me again.'
New Zealanders are so chill. I know they say Australians are chill, and I feel like Australians are chill, but I keep thinking, "If they get drunk, they would commit a hate crime." Now that is an extreme position to take, but it's just a feeling I get. New Zealand people, I don't see that.
The spirit of a painting is very hard to explain and articulate. I can't say it's not intentional because that is the mark I'm trying to hit, however I don't feel I have much control over it.
You can just look at a mountain and get a connection with God, you don't have to understand the mountain to feel that.
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
When I have my Afro and walk down the street, there's no doubt that I'm black. With this [straightened] hair, if I talk about being black on air, viewers write and say, "You're black?!" I feel [straightening your hair] is giving up a sense of your identity. Let's be honest: It's an effort to look Anglo-Saxon.
Nature, like a loving mother, is ever trying to keep land and sea, mountain and valley, each in its place, to hush the angry winds and waves, balance the extremes of heat and cold, of rain and drought, that peace, harmony and beauty may reign supreme.
I'm not trying to spell out a story. I still think you feel the painting, and the reason you read the mark is because you also feel the mark.
You feel guilt when you're not necessarily in the best mood and you say to your fans "No, I don't want to take a photo," or you're not as happy or bubbly as they probably thought you would be. I've had to remind myself that's okay. No one's forcing me or any other celebrity to take time out of their day to say hi to these fans or do these things. There is a sense of guilt that you can feel sometimes for not meeting their expectations, but that's kind of wrong for me to think that way, because I am a person.
Wyman's overpopulated universe is in many ways unlovely. It offends the aesthetic sense of us who have a taste for desert landscapes.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
I know I can feel bad, when I get in a bad mood, and the world can look so sad, only you make me feel good.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
It's got to feel, the pulse has to feel like this part of the world, the instrumentation has to be true to that, and so, between him, [composer] Mark Mancina and myself, we really chased that, while serving our story Moana].
I'm a big believer in keeping a certain balance between the whirlwind that life can feel like sometimes, and slowing down and doing things that really make me feel alive.
I don't want to hit a point where I feel there is nothing to improve upon - there always is.
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