A Quote by Matt Smith

As an actor, you'll have ten parts in 2015 - eight of them will go to the other actors above you and two of them you might be close to, and you try to make them as good as you can.
We'll set up a demo session and try to knock out eight or ten songs and make them sound as close as we can to a record with the money and time we have.
There was other stuff, too, like how something can be so much more than the parts it took to make it, and why people need things around them that lift them above their lives and make them feel the miracle of living.
I will see 100 or 200 and I will take my time with them and I audition them for the two main roles. If I like what I see, but they're not exactly right for the role, I'll think well I have this other role that might work for them. Sometimes I will write a role for them because I want to work with them because they're so good.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.
Particularly with the plays I choose, they're good parts, and they're parts that have been around long before a bad actor played them, and will be around long after I play them. Part of what I enjoy about the theatre and acting is that sense of history.
All good actors are very bright. You can't be stupid and a good actor. You may be inarticulate, you may not be highly educated, but all good actors are quick-witted, some of them dazzlingly so. All you do is guide them.
I wouldn't want to try to make a living as an actor. I think actors... I give them a lot of credit for what they go through, but putting myself on the line like that would make me crazy.
Husband and wife are like the two equal parts of a soybean. If the two parts are put under the earth separately, they will not grow. The soybean will grow only when the parts are covered by the skin. Marriage is the skin which covers each of them and makes them one.
If I am walking with two other men, each of them will serve as my teacher. I will pick out the good points of the one and imitate them, and the bad points of the other and correct them in myself.
I don't really have much to prove. I can easily go in a comfort zone, make two films a year, hype them because I've signed them as a star, make them cheap and they will be big hits.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
God will not turn away from doing you good. He will keep on doing good. He doesn't do good to His children sometimes and bad to them other times. He keeps on doing good and He never will stop doing good for ten thousand ages of ages. When things are going bad that does not mean God has stopped doing good. It means He is shifting things around to get them in place for more good, if you will go on loving Him.
Yes, you will. And I will warn you now that not their blood but your suspicion might build evil in them. They will be what you expect of them…I think when a man finds good or bad in his children he is seeing only what he planted in them after they cleared the womb." "You can’t make a race horse of a pig." "No," said Samuel, "but you can make a very fast pig.
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