A Quote by Matthew Bonifacio

Securing distribution is always a battle. And to get a film released is a pretty special accomplishment. — © Matthew Bonifacio
Securing distribution is always a battle. And to get a film released is a pretty special accomplishment.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
Under the old social philosophy which had governed the Middle Ages, temporal, and therefore all economic, activities were referred to an eternal standard. The production of wealth, it distribution and exchange were regulated with a view to securing the Christian life of Christian men. In two points especially was this felt: First in securing the independence of the family, which can only be done by the wide distribution of property, in others words the prevention of the growth of a proletariat; secondly, in the close connection between wealth and public function.
If you look at film, distribution is pre-bought. If you've paid for the distribution, you say, 'I have to make sure it's a film that gets enough butts in the seats.' I think that's the problem: It becomes prohibitively expensive, and you can't develop films for a smaller amount of money.
The studios basically, besides developing some material, their strength is distribution. Distribution in any other business is a cost that you incur. You know, in a trucking business, you eat it. In a film business, distribution is a profit center.
Each time when my films get released, people always compare it with my debut film 'Parutthiveeran' and comment that nothing comes near that flick.
This is a special class right here, to be an All-Star in the NBA. I don't think anybody would have thought when I was coming in the league that I would get this accomplishment. This is special. I don't know where I would rank it, but it's definitely high on the list.
Initially, I had started doing theater, where the actor has a direct relationship to the audience. So, moving into film and television disconnected me. When you do a film, you start to get the character, and then it disappears for a year before it's released and you get feedback.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
When 'Pizza' released, I was a nobody. Initially, we managed to get only 100 screens. But, after its success, the producers of 'Naduvula Konjam Pakkatha Kaanom' got 150 screens and also released the film in the U.S. Now, distributors are keen to invest in my films because they feel I have face value.
When you do a film, you start to get the character, and then it disappears for a year before it's released and you get feedback.
We've always had a pretty competitive and pretty ferocious battle with British Airways... It's lasted now about 14 years, and we're very pleased to have survived it.
Whenever I am at the airport, I always manage to get a hug from the security personnel present at the security check. They always tell me that they love the songs from 'Border,' and its amazing that even 20 years later, the songs continue to hold the same meaning and impact they had when the film was released.
Look at 'Dulhe Raja.' It was a film made very quietly on the sidelines, and suddenly, when the film was released, it struck gold. I never expected the film to do well.
Any type of Royal Rumble or battle royal I always look forward to because I usually get to do some pretty cool things.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
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