A Quote by Matthew Bourne
With my work, it's not possible to just cast a production and leave it. I have to nurture the group of dancers to make it happen.
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We have a group also on WhatsApp with our 'Char Divas Sasuche' team. I never realized that it ran for 13 years but the credit goes to the production house, the crew, and cast. People get bored easily with normal saas-bahu serials but it didn't happen to us.
I just don't believe that you can't make anything happen. I think if something's good and you believe in it, and you care about it, and you give it love and nurture it, it's going to happen.
My parents are really supportive of my interests and try to help make them happen with the tools I need. More importantly, they instilled in me that anything is possible if you work hard to make it happen.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
A producer wouldn't think of making a film about ballet dancers without using real dancers, but they will cast actors who have never held a bat in baseball films.
Me being an artist working with dancers and seeing how hard they work, they are the first to show up and the last to leave. They work just as hard, if not harder, than me - and they never get credit for it.
I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power.
You make it a production. Slam doors. Knock things over. Scream. But I just leave. Even if I'm still standing there, I leave. I am refusing you. I am denying you. I am an adjective that is quickly turning into a noun.
I don't have any regrets about not having kids. I've just never had those maternal feelings. I am a nurturer by nature, but I nurture adults: my friends, the people I work with. I don't want to nurture children.
Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.
I feel like people used to leave their homes and go to their local theatre, and they used to watch ballet dancers and musical theatre performers and tap dancers and orchestras and dog acts. You had to leave your home, be in the presence of other people, know how to behave, and enjoy the human being whose beating heart was in front of you.
On a TV show, for instance, dancers have to be paid for a week and a half rehearsal time. So unless they're vital to a production, they're just not used.
Work, work, work, but what mark do we leave, what point do we make? People who are too beholden to work become like erasers: as things move forward, they leave in their wake no trace of themselves.
Believe anything is possible and then work like hell to make it happen.
The work of black creatives seems to always get undermined in one way or another, and that's what this new generation is actively changing by speaking up. We aren't accepting group categorization and group classifications to describe our work anymore - it just leads to group dismissal.
I personally don't lock in a performance, because I do leave room for things to happen, so I just make sure I'm very intimate with what I'm saying and why I'm saying it so that no matter what happens, we can do whatever we want to do and leave space for play.
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