A Quote by Matthew Weiner
The other thing - and writers can say whatever they want - is casting. You need to find a person who can inhabit that role, who can not sugarcoat the bad stuff, and not be too hard on the good stuff, but who can come across as a three-dimensional human being with some depth and some thought about what they're doing. When you find James Gandolfini or Jon Hamm, someone who can inhabit this role but still has a natural humanity to them, no matter what they're doing? It's a gift.
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Being a correspondent on 'The Daily Show' is some combination of doing a character and doing stand-up. It's a juggling act to find a balance between being you and playing a role.
Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for.
When you envy actors, only envy them for their good roles. Keep in mind they have to do a lot of roles to make a living, and not all of them are good. When they're doing a stupid role in a bad production, it's kind of a dumb thing to do when you're an adult. When you're doing a great role that's well-written, it's an enviable job.
I still don't really know what my style is. I like a lot of different kinds of comedy, I like watching it and I like being inventive and original. That's the problem with doing a longer set - you can't do every joke that you have because some stuff contradicts other stuff. Even when you know that the audience knows that you're joking and it's not true, you still can't do a joke about your family dying and then later talk about your Mom. I mean you want to keep some kind of cohesive order going.
Suicide is the role you write for yourself. You inhabit it and you enact it. All carefully staged -- where they will find you and how they will find you. But one performance only.
I was facing players I grew up watching on TV. At times, you can overwhelm yourself with stuff like that. I still find myself doing it now with some of the big-name guys - Zack Greinke, Max Scherzer and those guys that are really good. You have to pinch yourself and remember you belong here, that you're here for a reason and that they're human beings too.
To be a responsible person is to find one's role in the building of shalom, the re-webbing of God, humanity and all creation in justice, harmony, fulfillment and delight. To be a responsible person is to find one's own role and then, funded by the grace of God, to fill this role and to delight in it.
Talking about the fact that I get depressed or that I've had some suicidal issues in my life is not easy. I don't know of many comedians who are going all in on that. In some sense, I think I've maybe sacrificed some momentum doing that. In another sense, I'm in a place where if I can talk about that and if it helps some kid in a way that gives them some help that wasn't available to me when I was a kid, then I gotta do that. Put being a good person first. If you have a platform, use it for stuff that's noble and good and worth putting out in the world.
I'm still reading some scripts and I model as well, so I'm still doing that. But I don't want to do like just anything so we're being really selective about the stuff I'll do.
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that.
I go through periods where I feel very confident about stuff but other periods that are insecure... I find doing different stuff removes the responsibility of focussing on one thing.
Jon Hamm was the first I thought of for the other role in [Keeping Up with the Joneses], I recently worked with him on Clear History, an HBO improv movie that we had done together.
This definition about against their will, that's a made up term. Did any of those little kids say I didn't want to come here? Did they say I was brought here against my will? Some of them were walking across the border on their own, lots of them, and we'll see them coming across every day at McCallum, Texas. They're still pouring across the border. They know what they're doing. It's not against their will.
I did some bad stuff. I don't remember what in particular, but I did some bad stuff. So the morning of Christmas, I wake up and my brother is there, my sister, my mom, everyone's got gifts and I can't find my gifts. No gifts. They acted like Santa didn't' bring me anything because I wasn't good.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
I think every role you take on, you should take on the responsibility of doing the best representation of that person or that character or that role. When it is a human being that has actually existed, and it is a person that people know of, yeah, you feel an even more amount of pressure to do a good job.
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