A Quote by Mathew Horne
Most dressing rooms are sterile and they feel like someone else's space. But over two weeks of previews, before the show officially opens, they transform - filling up with cards, flowers, home comforts.
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If you now have 20 previews, you will regard 19 of them as super-rehearsals, which is fine, except you are being watched by thousands. I remember suggesting on more than one show over the years, 'Let's not have any previews.' But no one agreed with me. If you could do that, however, it would be a great gimmick - no previews, just opening night.
I'm someone who started in the theater and really couldn't stand repeating the show. My favorite part of acting is the five or six weeks of rehearsal that you get. I like doing previews; I like the opening week because my friends and family come, and then after that, I don't want to do it anymore.
I've seen material competitiveness destroy relationships in dressing rooms. People end up worrying about what someone else is earning and whether they're missing out.
Usually I do a job, and, like, two weeks later, it disappears and is replaced with something else, but 'Get Out' kept growing and growing and growing, and it keeps taking me to rooms I could never get in before.
I’ve loved the whole process. From previews to rehearsals, I’m in the best company. I’ve done one West End show before this but the excitement here…it’s incredible. It’s been a real education working on this, I don’t feel worthy. The role is over the top, bold and ridiculous.
I've taken two weeks off before I've played a major, and I've played two straight weeks before a major as well. I definitely feel it's important, whether I've taken time off or played right before, that I take necessary rest time in the weeks before the tournament.
There's nothing like doing a show at home. When you do a show in Chicago, there's just a certain love that you don't feel anywhere else; it's like home base.
Theater dressing rooms are my home away from home - my second home, really.
I like dressing up when I can... but it's like when someone does my make-up or my hair and I feel uncomfortable or I'm wearing something weird, I just feel like it's not the best representation of myself.
Home runs come in bunches. You can go two weeks without one or hit four in a week. Sometimes, you just feel that stroke for a week or two weeks straight.
The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
Home, home -- a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by a rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease, and smells.
Feel that your body is like a bundle of flowers. When someone gives you flowers you enjoy their beauty, their purity. But you realize that, one day, the flowers will wither and fade.
To most magicians, cards themselves are marvels...For one thing, they feel special in your hand. Touching them, holding them, shuffling - the whole process is almost poetic. If you're in a room full of magicians and someone just mentions the word cards, within seconds, everyone is digging into their pockets and pulling out a deck of cards. It's one of the most amazing feelings ever.
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
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