A Quote by Matthew Ashford

Cartoons have always been an enjoyment to me... a relaxation... I get my ideas from everyday events. — © Matthew Ashford
Cartoons have always been an enjoyment to me... a relaxation... I get my ideas from everyday events.
People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
I'm always coming up with ideas that have been inspired by memories, everyday life and this and that and the other.
I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.
Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
I think cartoons are important. Tell me that you don't like cartoons, and I think there's something wrong with you. I don't understand why people don't like cartoons.
Political events are part of everyday life [in Colombia], so art and politics came to me as a natural thing, something that has been very much present in my life from the start.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
I read the 'New Yorker' when I was a kid. I used to love the cartoons and pick the cartoons out of the library, so I felt I knew the world of their cartoons.
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
There has always been this narrator in me - I loved ideas, and part of the great love affair I would have with ideas consisted of talking about them.
I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns. It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything.
I grew up in a family where my father always told me, defend your ideas when you think your ideas are good, and struggle to get your story written. And I've always fought for that.
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
I think writers are observers and watchers. We always have our ears open and eyes open, so I might see something in everyday life that inspires me. And I think that's probably more than anything else. Everyday life is where I get my inspiration.
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
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