A Quote by Murray Bartlett
No person and no character is beyond redemption, ultimately. That's the great thing about playing a character that has kind of a dark side; there's room to explore the opposite.
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Character - We describe the character of a person in reference to moral judgments about the worthiness of a person. Thus, to have a strong, great or honorable character is to be a person of merit, worthy of admiration and honor.
Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.
The great thing about fairy tales and myths is that they go beyond character. They're not about character. They're about more basic things. They're about basic fears or longings or desires or fantasies, and stuff like that.
I am playing the character of Sanjana in 'Race 3' and it is very a dark character in the initial phase of the film but towards the end, it gets transformed into a positive character.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
The great thing about Showtime is that they really give us leeway and the range to explore the real dark side of stuff.
The great thing about literature is that you're making up your own interpretation of the character anyway. Also, you're given basically a bible of who a character is and you're kind of shooting yourself in the foot if you're not reading it.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
I kind of cheer the presence of any gay characters at all - I think the more we can saturate television with any gay character or lesbian character or transgender character, I think that's a really great thing. We're kind of getting past the fact that they're the punchline or that they're the novelty.
Sometimes I am kind of the opposite of my character. But that's the thing about acting, you get to play people who are not like you at all.
Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character he's playing.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
It's great to have the chance to play a character before he goes to the dark side, or the yellow side if you will. Normally, you don't get that opportunity. The narrative of a movie usually demands that you are that guy from the start.
When you're the guy inside of a character and you've lived with it for almost two years, you're always a bit defensive about the character, and you want to root for the character you're playing.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
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