A Quote by Butch Trucks
When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
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I had no clue of Hollywood until I became a teenager. Then I got a fake ID in Tijuana and discovered Shelly's Manne-Hole, on Cahuenga and Selma, where I saw John Coltrane and his piano player, McCoy Tyner, and Elvin Jones, the drummer - my idol.
We see Tom Brady get into it with his coaches and he's the greatest of all time. That's just passion, man. That's passion and emotion.
If we only listened with the same passion that we feel about being heard.
Linkin Park has been a band for such a long time, for me, in my eyes. I was 16 years old when I first heard them. I heard 'Hybrid Theory,' and I was floored at what I was listening to. It was angry yet melodic, it had hip-hop and it had - it was just different, good. Good songwriting.
To be interested solely in technique would be a very superficial thing to me. If I have an emotion, before I die, that's deeper than any emotion that I've ever had, then I will paint a more powerful picture that will have nothing to do with just technique, but will go beyond it.
You know, another jazz drummer, Ed Thigpen, who played with Oscar Peterson way back - it was the first time I ever heard rivets in a cymbal. And then I heard that Chico Hamilton had them too, and I went, 'Oh, that's it. I'm taking that for my sound.' And it worked well on 'Riders On The Storm,' so that's one thing.
Whenever Elvin Jones comes to Seattle I try to go catch him.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
You hear a great Art Blakey drum solo or Elvin Jones, and you can tell when they're taking a breath. You can tell when they're loading up for something big. There's just this humanity in it, and I think that's important as well.
I heard all the time I had the potential, just had to work hard. I listened and started working hard.
I don't believe in luck; it's just dedication to the technique plus good physical condition.
I'm just made differently. Man, I just love being an American, I love my country. But it happened to me during the Nixon time, especially pre-Watergate, that as I watched Nixon for the first time in my life I felt shame. I had to analyze myself. What is this emotion? I realized that my government was separate from my country. It was the first time I ever felt ashamed of the government, not the country.
I was thrilled to hear Mick Jones wanted me to be involved in celebrating 40 years of Foreigner. I spent three years as their drummer and had a great time.
When I heard the truth about my name was not Cassius Clay, like I knew a black man in America named John Hawkins. Now, you know who John Hawkins was.He was a slave trader from England. But the white people of that time, if one had five slaves and his name was Jones, they would be called Jones' property. [...] Now that I'm free, now that I'm no longer a slave, then I want a name of my ancestors.
The first time I heard of Tuol Sleng, it was on the Voice of America. I listened twice.
While our pulse beats and we feel emotion, let us put off the business. Things will truly seem different to us when we have quieted and cooled down. It is passion that is in command at first, it is passion that speaks, it is not we ourselves.
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