A Quote by Nyjah Huston

Everybody remembers Tony Hawk's 900 at X Games V in 1999. That was an iconic trick that went beyond the sport and still makes highlight reels. — © Nyjah Huston
Everybody remembers Tony Hawk's 900 at X Games V in 1999. That was an iconic trick that went beyond the sport and still makes highlight reels.
Highlight reels are about that one person. After a barrage of highlight reels, you get the sense that you can do it without a team. But music thrived the most when groups were involved. People lose sight of that - that community makes the world run.
I would make hockey movies: I would edit together Flyers games and do highlight reels of goals or fights, which I still have to this day.
There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.
Man, I feel like I hear people talk about the old 'Tony Hawk' games all the time, and that's what got them into skateboarding.
We live in a culture of a big me. We're encouraged - we raise our kids to think how great they are, where we have to market ourselves to get through life. We're in social media, where we broadcast highlight - highlight reels of our own lives on Facebook.
Well, when I was really young and we lived in Sweden, the only films that were around at that point were... We had this collection of these super-8 highlight reels that they used to sell; like, they sold these super-8 reels that only had the best parts from a movie. So early on that's what I was seeing.
I won the biggest amateur contest when I was 10, and I was into X Games the next year. And then I was in a 'Tony Hawk' game the next year!
My lasting legacy now is just going to be in highlight reels.
With 'Fantasy Factory,' I want to take skating beyond the Tony Hawk generation and represent the street-skating generation.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
For most people, they only thing they know about bobsled is 'Cool Runnings.' Well, 'Cool Runnings' was, of course, four men in a bobsled, and four-man is considered the highlight of our sport. It's what everybody knows. It's what everybody watches. And it's the big dog of our sport.
I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?
I was physically addicted to 'Tony Hawk's American Wasteland' for PS2.
It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
Tony Bennett is an iconic jazz legend.
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