A Quote by Nigel Calder

But, when tales of the cosmos are told, this period of ours may always be recalled as that in which men first came to realise what a violent universe we inhabit. — © Nigel Calder
But, when tales of the cosmos are told, this period of ours may always be recalled as that in which men first came to realise what a violent universe we inhabit.
All man must live in Machu Picchu for some time! Over there, you will be closer to the universe and you will realise how trivial you are in this chaotic cosmos. Science is the only power which will make you bigger and significant in this universe!
The story of the universe finally comes to an end. For the first time in its life, the universe will be permanent and unchanging. Entropy finally stops increasing because the cosmos cannot get any more disordered. Nothing happens, and it keeps not happening, forever. It's what's known as the heat-death of the universe. An era when the cosmos will remain vast and cold and desolate for the rest of time the arrow of time has simply ceased to exist. It's an inescapable fact of the universe written into the fundamental laws of physics, the entire cosmos will die.
I maintain that the period during the first half of the 1990s, the period in which rising inequality reached its peak, was a period in which we came very, very close to a demagogic immobilization of racism in this society.
People have always told tales. Long before humanity learned to write and gradually became literate, everybody told tales to everybody else and everybody listened to everybody else's tales. Before long it became clear that some of the still illiterate storytellers told more and better tales than others, that is, they could make more people believe their lies.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
The Author of nature has not given laws to the universe, which, like the institutions of men, carry in themselves the elements of their own destruction; he has not permitted in his works any symptom of infancy or of old age, or any sign by which we may estimate either their future or their past duration. He may put an end, as he no doubt gave a beginning, to the present system at some determinate period of time; but we may rest assured, that this great catastrophe will not be brought about by the laws now existing, and that it is not indicated by any thing which we perceive.
This brief century of ours is arguably the most significant one in the history of our universe. We'll have the technology either to self-destruct, or [to] seed our cosmos with life. The situation is so unstable that I doubt we can dwell at this fork in the road for more than another hundred years. But if we end up going the life route instead of the death route, then in a distant future our cosmos will be teaming with life, all of which can be traced back to what we do-here and now. I don't know how we'll be thought of, but I'm sure that we won't be remembered as insignificant.
The world men inhabit is rather bleak. It is a world full of doubt and confusion, where vulnerability must be hidden, not shared; where competition, not co-operation, is the order of the day; where men sacrifice the possibility of knowing their own children and sharing in their upbringing, for the sake of a job they may have chosen by chance, which may not suit them and which in many cases dominates their lives to the exclusion of much else.
This is not the way these tales end," Calliope said firmly. "This is not the way that things end when they get to be tales," Amatus said, "but since ours is not yet told, we cannot count on it. There were a hundred dead princes on the thorns outside Sleeping Beauty's castle, and I'm sure many of them were splendid fellows.
I wish it were possible, from this instance, to invent a method of embalming drowned persons in such a manner that they may be recalled to life at any period, however distant; for having a very ardent desire to see and observe the state of America a hundred years hence, I should prefer to any ordinary death the being immersed in a cask of Madeira wine with a few friends till that time, to be then recalled to life by the solar warmth of my dear country!
Books are the way that we communicate with the dead. The way that we learn lessons from those who are no longer with us, that humanity has built on itself, progressed, made knowledge incremental rather than something that has to be relearned, over and over. There are tales that are older than most countries, tales that have long outlasted the cultures and the buildings in which they were first told.
For myself, I like a universe that, includes much that is unknown and, at the same time, much that is knowable. A universe in which everything is known would be static and dull, as boring as the heaven of some weak-minded theologians. A universe that is unknowable is no fit place for a thinking being. The ideal universe for us is one very much like the universe we inhabit. And I would guess that this is not really much of a coincidence.
States are violent institutions. The government of any country, including ours, represents some sort of domestic power structure, and it's usually violent. States are violent to the extent that they're powerful, that's roughly accurate.
I do not like violence, but ours is a violent time, and there are some men who understand nothing else.
I told him that for a modern scientist, practicing experimental research, the least that could be said, is that we do not know. But I felt that such a negative answer was only part of the truth. I told him that in this universe in which we live, unbounded in space, infinite in stored energy and, who knows, unlimited in time, the adequate and positive answer, according to my belief, is that this universe may, also, possess infinite potentialities.
There's the media-driven universe, in which the public perceives you in a superficial way. Then there's the universe that you actually inhabit, where you have to get up even if you didn't sleep so well, and you feel like crap and your face is swollen.
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