A Quote by Nani

B.A. Raju garu is very knowledgeable when it comes to cinema. He has sound analysis. — © Nani
B.A. Raju garu is very knowledgeable when it comes to cinema. He has sound analysis.
I always respect Dil Raju garu.
I became a director by accident. M.S. Raju garu asked me to direct a movie, and I said OK. It all happened in 5 minutes.
Dil Raju's first film 'Dil' was with me and we were supposed to work together after that, but it didn't happen. Now, after 15 years we are working together and Dil Raju's passion for cinema is still intact.
Music was the only voice of cinema for a very long time before we had sound; it's organically linked to cinema itself.
I was doing theatre when somebody noticed me and referred me to Raju Hirani. And Raju saw me on camera, and there, I was a heavy guy with long hair. But I got selected for the role of Joy in '3 Idiots.'
Trivikram garu is my inspiration to learn Telugu. When I made my debut I didn't understand a single word, even when people around me would be talking. Trivikram garu used to translate for me.
I have an incredible amount of basketball knowledge, and I think a lot of that is derived from having a Hall of Fame college basketball coach who was very knowledgeable of the game and I had a great high school coach who was also very knowledgeable.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
Well, as a visual artist working with the phenomenon of cinema, the grammar of cinema, [making a feature] was bound to happen. Everything I do is like sculpting with image and sound.
3D is very exciting. I love it. I'm a complete convert. Everything for me, from now on, is 3D. I'm completely convinced it's the future of home entertainment, as well as cinema entertainment. I think it's a paradigm shift, in terms of cinema, and those things don't happen very often. The introduction of sound, the introduction of color photography and now 3D have been the big shifts. They happen once every 40 or 50 years, so it's very exciting to be a filmmaker, working while one of them is happening.
With its shrewd analysis and its knowledgeable reflections on the state of the arts, as well as a rich array of anecdotes and quotations about patronage, Patronizing the Arts will appeal to a broad audience.
Film is not analysis, it is the agitation of mind; cinema comes from the country fair and the circus, not from art and academicism.
Preschoolers sound much brighter and more knowledgeable than they really are, which is why so many parents and grandparents are sosure their progeny are gifted and super-bright. Because children's questions sound so mature and sophisticated, we are tempted to answer them at a level of abstraction far beyond the child's level of comprehension. That is a temptation we should resist.
You cannot get involved in debate on 'MOTD'. You can do it on Sky because they've got hours and hours. We've got a couple of minutes. It's a very disciplined show. Our primary purpose is to show the action, and the analysis is very secondary. We have lots of people who would prefer no analysis. We have lots of people who would prefer more analysis.
I think it's an unbelievable responsibility to our sport, coaching in New York, because the fans are probably the most knowledgeable, or as knowledgeable as any team in the League.
A film in which the speech and sound effects are perfectly synchronized and coincide with their visual image on the screen is absolutely contrary to the aims of cinema. It is a degenerate and misguided attempt to destroy the real use of the film and cannot be accepted as coming within the true boundaries of the cinema.
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