A Quote by Naomi Alderman

You can't write a thing that is hermetically sealed; there has to be a way for the audience to get in and participate. I think that's a massively valuable discipline for any artist.
That's what I think is the neat thing about TV: how alive it is and how the writers respond to the stimulus that they're getting from the actual actors. Whereas a movie is more hermetically sealed.
The philosophers talk across the centuries exclusively to one another, hermetically sealed from any influences derived from non-philosophical discourse.
I don't write for a particular audience. I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.
Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show. And that's what I think is the neat thing about TV: how alive it is, and how the writers respond to the stimulus that they're getting from the actual actors. Whereas a movie is more hermetically sealed.
The feeling of being valuable is a cornerstone of self-discipline because when you consider yourself valuable you will take care of yourself- including things like using your time well. In this way, self-discipline is self-caring.
When you look at the way the pyramids are made, with many chambers that are hermetically sealed, they would have to be that way for a reason. And, you know, various scientists have said, well, you know, there were alien beings that came down, and they had special knowledge, and that's how they were - you know, it doesn't require an alien being when God is with you.
I suppose illustration tends to live in the streets, rather than in the hermetically sealed atmosphere of the museum, and consequently it has come to be taken less seriously.
The artist-audience relationship is the most valuable thing, and anything you can do to fuel the long-term potential of that relationship is of value to you.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
As a filmmaker‚ like any artist‚ when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts‚ my fears and my hardships. I think the same can be said with any artist. For a musician‚ you're going to write a song about something that affects you emotionally.
As a filmmaker, like any artist, when something affects me emotionally I think about it in those terms. It's my way of dealing with my thoughts, my fears and my hardships. I think the same can be said with any artist. For a musician, you're going to write a song about something that affects you emotionally.
Republicans are living in a hermetically sealed Republican universe, just as Democrats are. And so they're responding to their own universe, even if it leads to electoral downfall.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
When you have a chance to be an artist with an audience in your lifetime, you have to say thanks to your audience. That's a great thing. That's the best thing that can happen to an artist.
When I write a film, all I think about is where the thing ends and how to get the audience there.
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