A Quote by Naomi Alderman
We human beings get nervous if we don't know what's going on. It's the rule for creating scary stories: the unknown is always more frightening than the known.
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Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies. It's the ones that deal with the inner fear: the unknown realms and the mysticisms that are scary.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
Human beings are perhaps never more frightening than when they are convinced beyond doubt that they are right.
My observation of the Universe convinces me that there are beings of intelligence and power of a far higher quality than anything we can conceive of as human; that they are not necessarily based on the cerebral and nervous structures that we know, and that the one and only chance for mankind to advance as a whole is for individuals to make contact with such beings.
You know the known, so go a little into the unknown. The mind that is caught up in the known - extended a little beyond reason. The moment you go beyond , you move in the soul. Releasing the bondage of your mind to extend further, reach the unknown a little more. The further you go, you realize that the known is limited and the unknown is vast.
We as Aboriginal people still have to fight to prove that we are straight out plain human beings, the same as everyone else. You know, I grew up, born on a government blanket under a palm tree. I lived under lantana bushes, I've seen more dinner times than I've seen dinners, I've known discrimination, I've known prejudice, I've known all of those things... but some of that is still with us... and it's got to be changed.
When I get nervous, I go to the library and hang around. The libraries are filled with people who are nervous. You can blend in with them there. You're bound to see someone more nervous than you are in a library. Sometimes the librarians themselves are more nervous than you are. I'll probably be a librarian for that reason. Then if I'm nervous on the job, it won't show. I'll just stamp books and look things up for people and run back and forth to the staff room sneaking smokes until I get hold of myself. A library is a great place to hid.
I like to tell untold true stories, or the lesser-known aspects of larger, familiar stories. I think people or topics that are slightly on the edge or outside the mainstream often reveal more than better-known stories.
When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to fall off.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.
Society has always to demand a little more from human beings than it will get in practice.
People ask me if I get nervous and I get a lot more nervous before a Jaguars or Fulham game. But I get more excited and have more fun at AEW than anything else.
People fear leaving their safe harbor of the known and venturing off into the unknown. Human beings crave certainty - even when it limits them.
I try to pull my inspirations from everyday life. If I came across a situation that is like, 'Oh, that's going to be scary, that's going to be frightening,' that's when I get inspired, and I put that into my films.
I think it's frightening for all of us to contemplate that there's more to the universe than just us, in whatever form it takes, that there are higher forces at work, and to me, that's always a scary notion.
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