A Quote by Napoleon Hill
The fear of criticism is at the bottom of the destruction of most ideas which never reach the planning and action stage.
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The fear of speculation, the ostensible rush from the theoretical to the practical, brings about the same shallowness in action that it does in knowledge. It is by studying a strictly theoretical philosophy that we become most acquainted with Ideas, and only Ideas provide action with vigour and ethical meaning.
If the mystical lovers of the arts, who consider all criticism dissection and all dissection destruction of enjoyment, thought logically, an exclamation like "Goodness alive!" would be the best criticism of the most deserving work of art. There are critiques which say nothing but that, only they do so more extensively.
It is said that the fear of public speaking is a fear greater than death for most people. According to psychiatrists, the fear of public speaking is caused by the fear of ostracism, the fear of standing out, the fear of criticism, the fear of ridicule, the fear of being an outcast. THE FEAR OF BEING DIFFERENT PREVENTS MOST PEOPLE FROM SEEKING NEW WAYS TO SOLVE THEIR PROBLEMS.
To seek understanding before taking action, yet to trust my instincts when action is called for. Never to avoid danger from fear, never to seek out danger for its own sake. Never to conform to fashion from fear of eccentricity, never to be eccentric from fear of conformity.
People refuse to take chances in business, because they fear the criticism which may follow if they fail. The fear of criticism, in such cases is stronger than the DESIRE for success.
I don't know if there's a genetic marker for entrepreneurship. But if there is, it's most likely not a genius for planning. It's a propensity for action - and the ability to put failure behind you quickly. To stop being precious about your ideas.
It is fear which leads us to war, ... It is fear which leads us to believe that we must kill or be killed. Fear which leads us to attack those who have not attacked us. Fear which leads us to ring our nation in the very heavens with weapons of mass destruction.
Most artists are always fighting for their fame. They have that fear, like the saying goes, "out of sight, out of mind." They need to keep themselves out there. I have never had that fear. If I have any fear, it's not doing enough to reach people.
Action eradicates fear. No matter what you fear,--- positive, self-affirming action can diminish or completely cancel that which you are fearful of.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.
The thinker dies, but his thoughts are beyond the reach of destruction. Men are mortal; but ideas are immortal.
If mankind is to profit freely from the small and sporadic crop of the heroically gifted it produces, it will have to cultivate the delicate art of handling ideas. Psychology is now able to tell us with reasonable assurance that the most influential obstacle to freedom of thought and to new ideas is fear; and fear which can with inimitable art disguise itself as caution, or sanity, or reasoned skepticism, or on occasion even as courage.
Inspiration means that you don't have to figure things out, or think about them. Ideas and answers pop into your head and the energy carries you forward, if you allow it. Planning. . . is a way of ritually killing inspiration, which transcends the need for planning.
The lure of happiness and the fear of pain . . . are the two forces which have through untold millenniums kept what we usually call life from destruction by the ever encroaching outside forces of destruction.
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