A Quote by Naseeruddin Shah

I was lucky to land up in Mumbai when serious cinema was just beginning to flower. — © Naseeruddin Shah
I was lucky to land up in Mumbai when serious cinema was just beginning to flower.
Because I had other means of expressions, I was lucky that I didn't go under and start becoming all convoluted in my head. That can happen, if you're a serious actor and you're here to really be a part of cinema, and when cinema ignores you, it can be devastating.
I came back to Mumbai with the tag of having assisting the legendary Satyajit Ray. I thought that would be a medal, but it became a disqualification. People thought I would only make serious kinds of cinema.
I've been incredibly lucky throughout the beginning stages of my career up 'til now, and so lucky to work with the incredible people I've worked with.
Though Suparna is a Malayali, she has spent a large part of her life in Mumbai. She's a Mumbai girl. In fact, I saw the real Mumbai through Suparna's eyes. Of course, I knew Mumbai before I got to know Suparna. But it was Suparna who showed me sides to Mumbai I had never seen.
Uh, I just had an operation last March which was rather serious and I'm recuperating now. I'm on a very bland diet. But, uh, I'm lucky, I was just lucky, that's all.
Mumbai is home, so there's no comparison. But then again, New York's a lot like Mumbai, which is why I choose to live there. It's fast, crowded (in a good way), the people are friendly and it's full of color and race, like Mumbai. Unfortunately, the traffic's also just as bad.
We cannot know the consequences of suppressing a child's spontaneity when he is just beginning to be active. We may even suffocate life itself. That humanity which is revealed in all its intellectual splendor during the sweet and tender age of childhood should be respected with a kind of religious veneration. It is like the sun which appears at dawn or a flower just beginning to bloom. Education cannot be effective unless it helps a child to open up himself to life.
A flower is not a flower. It is made only of non-flower elements - sunshine, clouds, time, space, earth, minerals, gardeners, and so on. A true flower contains the whole universe. If we return any one of these non-flower elements to its source, there will be no flower.
Mumbai's infectious. Once you start living in Mumbai, working in Mumbai, I don't think you can live anywhere else.
I was born in Mumbai and brought up between Mumbai and Nashik.
My bees cover one thousand square miles of land that I do not own in their foraging flights, flying from flower to flower for which I pay no rent, stealing nectar but pollinating plants in return.
I am a Punjabi at heart, but I've been born & brought up in Mumbai and even did my schooling & graduation from Mumbai itself.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
When I was younger, I would mess about and have a laugh with everyone. I was doing Atonement when I was about 12, and as we went to do this very serious scene, the director Joe [Wright] came up to me ... I'd been giggling right up to the beginning of the take. And he came up to me and said, "Okay, you need to be serious now." I completely idolized him.
There are different cinema traditions in France, Spain and other European countries. There's a much stronger intellectual tradition: cinema is seen in a more serious way.
If some one loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself, "My flower's up there somewhere. . . ." But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
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