A Quote by Naseeruddin Shah

A family business in cinema is not necessarily creative. It is generally about prolonging your family fortune. — © Naseeruddin Shah
A family business in cinema is not necessarily creative. It is generally about prolonging your family fortune.
Everyone in my family is in the film business; I knew I wanted to be creative and it was important in my family to be artistic.
If your family was part of the movie business, then watching 'Moguls & Movie Stars' is like looking at the family photo album: hilarious to members of the family, numbingly boring to those outside the family circle.
I consider myself fortunate that in my home, acting or the creative arts were a good option. This was a respected tour of duty in my family. Acting wasn't something that was left to tragic bohemians. But we weren't a family that obsessed on cinema.
For those of us in the political business, generally, it's been pretty much an unwritten but understood rule that family and children are out of bounds, that you don't attack someone's family.
Generally if you're a daughter in a Mexican family, no one wants to tell you anything; they tell you the healthy lies about your family.
You have to be passionate about your business. If you don't love your business, you are doing a terrible disservice to your customers and clients, your team members and business partners, your family and yourself.
Every family is a 'normal' family - no matter whether it has one parent, two or no children at all. A family can be made up of any combination of people, heterosexual or homosexual, who share their lives in an intimate (not necessarily sexual) way. ... Wherever there is lasting love, there is a family.
A family's photograph album is generally about the extended family and, often, is all that remains of it.
In one way or another, everybody has this experience in their lives... the moment when you have to define your relationship to family and how your family's made you who you are, whether you've spent your life running from your family or deeply connected to your family.
The thing about adolescence is that you are emerging from a state of obscurity. You are coming out into the world from your family. Your family can seem normal because it is your family and all you know, but in fact it is a mess.
My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
Most everything I do on a creative level is beyond the fame and money. I sort of work as an actor... and take care of my family and mouths to feed and all of that. I don't really care about fame, but our business means money sometimes and financial success, which I can pass on to my family.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
I come from a large family, but I was not raised with a fortune. Something more was left me, and that was family values.
I've always wanted to partner with a family business because their stories inspire me. One of my biggest hopes is that the family will invest in me, educating me about their business, and imparting many other valuable lessons. This process of helping an owner transition her business to trusted hands really excites me.
Home is where your family is. Wherever you are, it's about the people you're surrounded by, not necessarily where you lay your head.
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