A Quote by Nassim Nicholas Taleb

The best way to learn a language may be an episode of jail in a foreign country. — © Nassim Nicholas Taleb
The best way to learn a language may be an episode of jail in a foreign country.
Learn Languages the Right Way. Language acquisition games and abstract communicative method are bullshit. The second-best way to learn a foreign language is alone in a room doing skull-numbing rote memorization of vocabulary, grammar, key phrases, and colloquialisms. The best way is in bed.
Everyone is used to speaking a slightly different "language" with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.
We should replace bilingual education with immersion in English so people learn the common language of the country and they learn the language of prosperity, not the language of living in a ghetto.
They're on their way to the foreign-language wing. That's no surprise. The foreign kids are always here, like they need to breathe air scented with their native language a couple times a day or they'll choke to death on too much American.
In TV, when you come in to direct an episode, you are effectively learning an established language; you then have to try to learn to speak it really well. But on a movie, you are the guy. You are creating the language; you make most of the decisions.
There is one way to understand another culture. Living it. Move into it, ask to be tolerated as a guest, learn the language. At some point understanding may come. It will always be wordless. The moment you grasp what is foreign, you will lose the urge to explain it. To explain a phenomenon is to distance yourself from it.
The language skill in the U.S. for the most part has been awful. Many Americans don't learn any foreign language.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
Learn a language of another country and then you can go to that country: a place where the problems of your family will not follow. A language they do not speak.
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it
I just want to say that 'Minari' is about a family. It's a family trying to learn how to speak a language of its own. It goes deeper than any American language and any foreign language.
I might move to Finland, at least for a while, to learn the language a bit better, 'cause you don't learn any language better than in the country itself.
Study a foreign language if you have opportunity to do so. You may never be called to a land where that language is spoken, but the study will have given you a better understanding of your own tongue or of another tongue you may be asked to acquire.
For if every true love affair can feel like a journey to a foreign country, where you can’t quite speak the language, and you don’t know where you’re going, and you’re pulled ever deeper into the inviting darkness, every trip to a foreign country can be a love affair, where you’re left puzzling over who you are and whom you’ve fallen in love with.
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