A Quote by Nat Wolff
A lot of times people come up to me saying 'oh my god you can see,' and they think they're the first person to think of that joke, but they're probably the 10,000th one to say that joke.
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The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
I think Trump is terrible for comedy. A lot of people say he is great. He's not. You can't joke a joke.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
When I told him on the phone that after all you and I would not be getting married, he said "Oh-oh. Do you think you'll ever manage to get another one?" If I'd objected to his saying that he would naturally have said it was a joke. And it was a joke. I have not managed to get another one but perhaps have not been in the best condition to try.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
People say to me, Oh, it's so wonderful that you're writing about real things, and that it's a political thing to do, and I say, look-to be in my position and not say anything is a hell of a political thing. You need to think politically, otherwise you'll be one of these people who says, Oh, this person's saying this and that person's saying that, and I'm confused. And I say, yeah, because you want to be confused.
Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'
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