A Quote by Nat King Cole
I ... started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that's just the way it came out.
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I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.
My father was a singer. So it just kind of happened that one Sunday while my dad was singing, I just walked out and stood next to him, and I started singing the song that he was leading, and I sang it in perfect pitch.
I mean, it wasnt like I had said to myself beforehand, 'OK, I'm gonna go out there and sing 'The Star-Spangled Banner' in the weirdest way possible and cause a commotion.' I just sang it the way I felt it I sang it the only way I could.
An awful lot of successful technology companies ended up being in a slightly different market than they started out in. Microsoft started with programming tools, but came out with an operating system. Oracle started doing contracts for the CIA. AOL started out as an online video gaming network.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.
One day, it hit me that music is my calling. I just started playing and writing music. How, I don't know. I just started doing it, and then this big voice came out of my mouth. And it felt like I was releasing something.
My mom's a concert pianist, so she started teaching me when I was around seven. When I was eight, I started writing my own songs, and kinda started putting piano and singing together. But I'm trained classically, which is a big influence on me, I think.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it. I felt a calling.
I started out as a pianist and singer in gay and piano bars - they were the only places I could get a job singing show tunes.
I came out singing, the doctor slapped me on the head, and I started singing.
I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.
I thought about dropping down to 135, started dieting down, but I didn't feel very good and started to get weak. I decided to give weightlifting and strength training another shot. The first few times I tried lifting weights I didn't like the way I felt, and we finally developed a way of working out where I wouldn't lose my speed.
When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
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