A Quote by Nat Turner
When I got large enough to go to work, while employed I was reflecting on many things that would present themselves to my imagination; and whenever an opportunity occurred of looking at a book, when the school-children were getting their lessons, I would find many things that the fertility of my own imagination had depicted to me before.
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I was always in and out of school. What I learned in high school is that female friendships are so much more important than worrying about having a boyfriend or looking good or things like that. I had such a good girlfriend growing up that we didn't need anything. We had such a creative world of our own imagination together. For me, if I have a child, I would say, "I hope you find a best friend that makes it so you don't really need much but each other." Learning about that type of friendship and trust is one of the best things I ever got out of school.
The first draft you're pretty much on your own, so I love that. I can let my imagination go wild. I just go crazy. Then, over the years - it takes years to write these things, to make these things come to pass - there are many, many, many drafts. For Maleficent, there were at least 15.
During my breakdown, many things, tiny things I had not even registered before, had begun to torment me with guilt. I used to steal Splenda from Starbucks. I would go into a Starbucks whenever I needed the sweetener and would take a fistful of packets, even when I didn't buy a coffee.
Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I would love to be employed for the rest of my life... But what I would want to do is things that would frighten me, things that would scare me. I've never done that before; can I do that, can I show them that I can do it?
In my own life, there were many things that didn't happen for me in the outside world, but that gave me an opportunity to look inside to find my spirit, my courage, my confidence and ultimately, to find my heart. When I found those things, I felt liberated. I found resilience of spirit, realized I had much to offer and gained abundance.
When I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody.
There were days when my dad and grandpa had to work and I would call a cab to get to school. I felt a little embarrassed and would get out a block before school. There were kids getting dropped off in a Mercedes or Lexus. I didn't want them to see me.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
Be glad you're fifty - andThat you got there while things were nice,In a world worth looking at twice.So here's wishing you many more years,But not all that many. Cheers!
If I had to write a rough draft, all the way through and then go back and start over, I probably would just stop writing. I wouldn't find that interesting. I would feel that I had committed so many things to the paper that I couldn't easily undo because one thing leads to the next, the interconnectedness, the sequences would make it very hard to change something that simply didn't work.
There are books in rivulets and sermons in stones. You can gather lessons from everything. If a man does nothing whatsoever he recedes into his own self. God didn't do anything; He was one and wished to be many. He wished - and there were many. If He had not wished there to be many, it would have been sufficient-there would still be the wordless state. So to be in a wordless state is very supreme.
My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.
Children have a fastidiousness that time is slow to cure. It is to be wondered, for example, whether if the elderly were half as hungry as children are they would yet find so many things at table to be detestable.
To write and not tell the truth? That would be death for any writer. But more, it would be death to the imagination. And if the imagination dies, what would happen to the souls of children?
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