A Quote by Nat Hentoff

They [FBI] had a lot of clippings, a lot of articles I'd written. And to me the - the funniest one was - I had done a piece for Playboy about J. Edgar Hoover. — © Nat Hentoff
They [FBI] had a lot of clippings, a lot of articles I'd written. And to me the - the funniest one was - I had done a piece for Playboy about J. Edgar Hoover.
I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.
I have great respect for the FBI, and I know that there have been some rumors lately that the FBI was disenchanted because of what we were doing in story, or doing a certain take: that's not true. Actually the FBI was tremendously enthusiastic about us doing [ J. Edgar Hoover ] film.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
By every measure, John Kennedy's sex life was compulsive and reckless. At one level, it had clear public consequences. Knowledge of Kennedy's behavior gave FBI Director J. Edgar Hoover absolute job security, as well as the potential power to derail Kennedy's re-election had he survived assassination.
My father was the first black Secret Service agent. He wanted to get into the FBI but J. Edgar Hoover, who was the head of the FBI, was a racist and he said we don't want any black people.
It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.
We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.
Also, with information having just come out at the time about J. Edgar Hoover's electronic surveillance of Dr. King, it gave greater weight to the statements of those persons who were alleging involvement of the FBI.
A lot of the guys who played in the 1995 final for Ajax had been there since the age of 12 or 13. Patrick Kluivert and Edgar Davids had been there from age seven or eight, so I had a lot of catching up to do.
The notion of law enforcement as professional, not political, began developing as an aspiration and an ethos even while, in practice, the FBI was the personal fiefdom of J. Edgar Hoover.
By 1967, J. Edgar Hoover had concluded that the Black Panther Party had replaced the Communist Party as the gravest threat to national security.
If Congress is going to investigate baseball players about whether or not they told the truth, how can we justify giving the most powerful intelligence official, [James] Clapper, a pass? This is how J. Edgar Hoover ended up in charge of the FBI forever.
The idea of using actual clippings came about as a way of characterizing Gold. Gold uses clippings because he hates doing research and is not even really interested in the books and articles he writes.
I was quiet for a year but I had 4,000 articles written about me.
All Coolidge had to do in 1924 was to keep his mean trap shut, to be elected. All Harding had to do in 1920 was repeat Avoid foreign entanglements. All Hoover had to do in 1928 was to endorse Coolidge. All Roosevelt had to do in 1932 was to point to Hoover.
I had written about a small hamlet upstate, and had been called into a meeting about my story, which, as it turned out, had upset a lot of people.
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