A Quote by Natalie Prass
There came a point when I was thinking, 'I'm now 26, 27, working on music every day, but I'm not making, like, a lot of money. What's happening? I guess I'll just start making dog clothes.'
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I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.
I feel like I wasn't making music that meant anything to me until I was 26 years old, so I'm realizing that sometimes it takes three years or five years to understand what the point of even making music together is.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
A lot that was happening in 2005, 2006, good and bad, the beats reflected it. It was a lot of money around. People was making music to throw money to.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
When you start making music, you start making music at a young age, and for me, I just thought, like, 'Ahh, once you make it, all your problems will be solved, and everything will be fine.'
I have no views as to where it will be, but the one thing I can tell you is it won't do anything between now and then except look at you. Whereas, you know, Coca-Cola (KO) will be making money, and I think Wells Fargo (WFC) will be making a lot of money and there will be a lot - and it's a lot - it's a lot better to have a goose that keeps laying eggs than a goose that just sits there and eats insurance and storage and a few things like that.
I came up with a lot of characters when I was growing up that were just creative outlets, and then, at one point, I came across Gus Dapperton in the back of my head when I was making music.
Involve yourself every day. Work hard and figure out how to love acting all day, every day. It's getting into a made-up situation and making it good and making it real and just playing, just practicing and playing. Like the musicians that I played piano with: they never expect to be rich or famous, but they, for the sheer joy of it, play every day, all day.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
Music is so clearly a commodity now. At one point, maybe 20 years ago, there were still some rumblings about keeping the really sacred American popular music out of the hands of corporate advertisers. And those walls have come down, but now I think the logical reaction to that is that you just start making your own music.
Just too much fast thinking all the time. I think of so many things all at once, it gets exhausting. You start seeing all of these connections around you . . . Everything is connected, composed, coordinated, choreographed. If you start paying attention to these connections, it can drive you insane. And that's why making work is so good, because that's when I'm not thinking, just making.
It was my idea that if you started any kind of business, you should begin somewhere near where you hoped to end. In other words, if I wanted to make really good clothes to order, I would start out making good, and therefore expensive, clothes to order. If I started making inexpensive clothes, I thought probably I'd die making them.
I started making music... I guess I was 12, and I started playing 'Guitar Hero.' And you know, it got to a point where on expert, you can only exceed to a certain point. And so, you know, I was like, 'Let's play real guitar. Let's not waste more time.' So, I got my mom, I told her to buy me a guitar for Christmas, and I started making music then.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
I'm making music that I love and I want to hear. At the same time, things like making money, making crazy money - you gotta find ways to reach to everybody but uplift everybody.
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